Donald Rubinstein's 'Far Away Stone' had a release date set for October 3, 2020. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Famous Singer". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Far Away Stone is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Far Away Stone by Donald Rubinstein having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rocky Mountains | Wendy Carlos, Rachel Elkind | E Minor | 2 | 9A | 149 BPM | ||
| Towards the Pinnacle, Poem for Soprano & Orchestra, Pt. 3 (Live) | Maya Badian, Romanian National Radio Orchestra, Emilia Petrescu | G Minor | 5 | 6A | 74 BPM | ||
| The Black Drop | Mount Vernon Arts Lab | C Minor | 2 | 5A | 122 BPM | ||
| Die Nahtanznummer, Teil 2 | Bohren & Der Club Of Gore | C Major | 0 | 8B | 82 BPM | ||
| Acceptance | Donald Rubinstein | D Major | 3 | 10B | 111 BPM | ||
| Raptus | Mark Snow | E Minor | 3 | 9A | 79 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Sidney's Lament - From "Scream" | Marco Beltrami | C Major | 2 | 8B | 37 BPM | ||
| In Love's Name | Christopher Young | F♯ Minor | 1 | 11A | 79 BPM | ||
| Witch's Will | Wilburn Burchette | G Major | 3 | 9B | 107 BPM | ||
| End Credits - Instrumental | Alejandro Amenábar | C Minor | 1 | 5A | 70 BPM | ||
| Eternity's Lament | Donald Rubinstein | D Major | 1 | 10B | 98 BPM | ||
| High Street Spasm | Cavern of Anti-Matter | B♭ Minor | 4 | 3A | 108 BPM | ||
| Main Title | Pino Donaggio | B♭ Major | 4 | 6B | 79 BPM | ||
| End Credits (From "Phantasm II") | San Fernando Symphonic Assembly | D♭ Major | 6 | 3B | 131 BPM | ||
| How Come We Go Home | Mark Prechtwahn | B♭ Minor | 0 | 3A | 74 BPM | ||
| Mad Puppet | Claudio Simonetti, Massimo Morante, Fabio Pignatelli, Walter Martino | G Major | 6 | 9B | 90 BPM | ||
| The Mind Booster-Creation of Matter | Louis, Bebe Barron | B Major | 4 | 1B | 108 BPM | ||
| Suspiria - Narration | Goblin | D Minor | 7 | 7A | 120 BPM | ||
| Motorboy's Fate | Stewart Copeland | A Major | 2 | 11B | 166 BPM | ||
| Tama | Tonto's Expanding Head Band | A Minor | 2 | 8A | 172 BPM | ||
| Andrew Void | Mica Levi | D Minor | 2 | 7A | 64 BPM | ||
| Main Title (From "Ghoulies") | Richard Band | C Major | 3 | 8B | 149 BPM | ||
| Sparkling Wine | PA Mic | C Major | 7 | 8B | 130 BPM | ||
| Adulteress' Punishment | Riz Ortolani | E Major | 3 | 12B | 103 BPM |