Ralph Benatzky, Max Hansen, Vasa Theater Orchestra, Ernst Hauke's ' "Axel an der Himmelstur: I Holly-Holly-Hollywood (Sung in Swedish)" was released on its scheduled release date, May 3, 2011. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Axel an der Himmelstur: I Holly-Holly-Hollywood (Sung in Swedish)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max Hansen's "Max Hansen, Vol. 1 (1932-1955)" album is number 5 out of 20. On top of that, Sweden appears to be the country where this track was created. Axel an der Himmelstur: I Holly-Holly-Hollywood (Sung in Swedish) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Axel an der Himmelstur: I Holly-Holly-Hollywood (Sung in Swedish) by Ralph Benatzky, Max Hansen, Vasa Theater Orchestra, Ernst Hauke to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Essence of Zen | Rylandiaa | E Major | 3 | 12B | 175 BPM | ||
| L'Auberge du Cheval Blanc: Ah mesdames et messieurs | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone, Luc Barney | D Major | 4 | 10B | 73 BPM | ||
| Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
| Die Fledermaus | Rundfunkorchester des Südwestfunks Baden-Baden | D Major | 1 | 10B | 130 BPM | ||
| Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
| Suite for Variety Orchestra: V. Lyric Waltz | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Reich mir zum Abschied noch einmal die Hände (Good Night) | Richard Tauber | B♭ Major | 2 | 6B | 129 BPM | ||
| Kann denn Liebe Sunde sein | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Eugen Jochum, Bavarian Radio Symphony Orchestra | E Minor | 1 | 9A | 83 BPM | ||
| Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
| Quadrille No. 1 in F Minor | Michał Kleofas Ogiński, Belarus Chamber Orchestra of the National Academic Concert Orchestra of Belarus | G Major | 6 | 9B | 131 BPM | ||
| Omdat Hij Leeft | Arjan Huizer | G Major | 3 | 9B | 125 BPM | ||
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Im chambre séparée | Richard Heuberger, Anna Netrebko, Piotr Beczala | D Major | 1 | 10B | 171 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
| Hora Stacco | Andre Kostelanetz | E♭ Major | 5 | 5B | 153 BPM | ||
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| Go West | GRUPO CONCERTANTE TALÍA, Silvia Sanz Torre | B♭ Major | 2 | 6B | 146 BPM | ||
| Phonix, Op. 105: Phonix-Marsch, Op. 105 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 5 | 5B | 108 BPM | ||
| Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
| L'Auberge du Cheval Blanc: Arrivée du bateau | Ralph Benatzky, Felix Nuvolone, Orchestre De Felix Nuvolone, Choeurs De Felix Nuvolone | A♭ Major | 2 | 4B | 111 BPM | ||
| Wedgwood Blue: Wedgewood Blue | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 0 | 6B | 121 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| L'Auberge du Cheval Blanc: Ouverture | Ralph Benatzky, Orchestre Rene Saint Paul, Jésus Etcheverry | E♭ Major | 1 | 5B | 140 BPM | ||
| Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM |