On January 1, 1993, the song "Astoria" was released by Steve Laury. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Steve Laury's "Keepin' The Faith" album is number 9 out of 9. On top of that, United States appears to be the country where this track was created. Astoria is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Astoria by Steve Laury to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Inside Myself | Art Porter | A♭ Major | 6 | 4B | 170 BPM | ||
| Honey Girl | Ryan Montano | D Minor | 7 | 7A | 114 BPM | ||
| Ride Along | Julian Vaughn | B Minor | 8 | 10A | 108 BPM | ||
| 88 Ways to Love | Marcus Johnson | F Minor | 6 | 4A | 88 BPM | ||
| There's A Way | Steve Laury | G Major | 7 | 9B | 96 BPM | ||
| 91 North | Rahni Song | G Minor | 6 | 6A | 166 BPM | ||
| Midnight in San Juan | Earl Klugh | G Minor | 5 | 6A | 120 BPM | ||
| Going Deeper | Dee Lucas | B♭ Minor | 8 | 3A | 105 BPM | ||
| On Moonless Nights | Brian Hughes | D Minor | 6 | 7A | 136 BPM | ||
| Honey Grove Lane | Brian Clay | F Minor | 8 | 4A | 95 BPM | ||
| One 2 One | Brian Hughes | E Minor | 6 | 9A | 95 BPM | ||
| Spice | Fattburger | G Minor | 6 | 6A | 170 BPM | ||
| Foreign Exchange | Marc Antoine & Paul Brown | D Major | 8 | 10B | 117 BPM | ||
| Uptown Philly | Gail Jhonson, Mike Parlett | F Minor | 7 | 4A | 113 BPM | ||
| Only 2CU Smile | Nick Colionne | F♯ Minor | 4 | 11A | 90 BPM | ||
| Three Day Weekend | Evan Marks | G Major | 7 | 9B | 90 BPM | ||
| Deep Is the Midnight Sea | David Blamires Group | B Minor | 6 | 10A | 92 BPM | ||
| Bridges | Cal Harris Jr. | A♭ Major | 4 | 4B | 104 BPM | ||
| Keepin' It Cool | Nick Colionne | F Minor | 6 | 4A | 83 BPM | ||
| At Midnight | Bob Mamet | G Minor | 7 | 6A | 100 BPM | ||
| 'Til We're Together Again | Russ Freeman & The Rippingtons, Tony Morales, Kim Stone | A Minor | 8 | 8A | 146 BPM | ||
| Cup of Joe | Marcus Anderson, Matt Marshak | B Minor | 7 | 10A | 104 BPM | ||
| Infinite Love | Darren Rahn | F Minor | 7 | 4A | 91 BPM | ||
| Summer In Blue | Michael Broening | F Minor | 7 | 4A | 100 BPM | ||
| Love Will Follow | George Howard | G Major | 7 | 9B | 99 BPM |