Emra Grid's ' "Reverse Actualization" was released on its scheduled release date, October 21, 2022. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Emra Grid's "How to Replace Personal Growth" album is number 6 out of 7. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Reverse Actualization's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Reverse Actualization by Emra Grid to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Sleep of Reason Produces Monsters | Desiderii Marginis | D Major | 1 | 10B | 68 BPM | ||
| Stone Beacon | Deaf Center | G Major | 1 | 9B | 100 BPM | ||
| Phlegethon | Phonothek | D♭ Major | 1 | 3B | 96 BPM | ||
| kuuponn | Michiru Aoyama | B Minor | 0 | 10A | 82 BPM | ||
| Contrail | Kane Ikin | F Minor | 1 | 4A | 65 BPM | ||
| A Rope to End It All | Flowers for Bodysnatchers | A♭ Minor | 3 | 1A | 81 BPM | ||
| Spectral Corridor, Pt. 4 | The House In the Woods, Pye Corner Audio | D Major | 0 | 10B | 80 BPM | ||
| The Elsewhere Sleep | Teahouse Radio | F♯ Minor | 2 | 11A | 68 BPM | ||
| Suspension | Blue Carbon | E♭ Major | 2 | 5B | 124 BPM | ||
| Abandonment And Connection | Kammarheit | A♭ Minor | 1 | 1A | 71 BPM | ||
| The Seer | Atrium Carceri | C Major | 1 | 8B | 83 BPM | ||
| Hljóð | Viktor Orri Árnason, Yair Elazar Glotman | A♭ Major | 1 | 4B | 93 BPM | ||
| Unstable Orbit | Sphäre Sechs | E♭ Major | 4 | 5B | 78 BPM | ||
| Spectral Bed | Syntropy | G Major | 2 | 9B | 81 BPM | ||
| Behind the Horizon of Preconceptions | Keosz | G Minor | 2 | 6A | 68 BPM | ||
| Displacement | Rafael Anton Irisarri | E♭ Major | 0 | 5B | 87 BPM | ||
| In True Contemplation | Abul Mogard | C Major | 0 | 8B | 89 BPM | ||
| Grandma Sings in Many Tongues | Cities Last Broadcast, Fractalyst | B♭ Minor | 0 | 3A | 63 BPM | ||
| Immemorial | Apocryphos, Kammarheit, Atrium Carceri | B♭ Major | 2 | 6B | 71 BPM | ||
| Emission | Dronny Darko, rngmnn | F Major | 2 | 7B | 63 BPM | ||
| Silver | Maya Shenfeld | F Major | 0 | 7B | 73 BPM | ||
| Swarm | Lesa Listvy | D♭ Major | 4 | 3B | 140 BPM | ||
| Uncaged | Chris Carter, Ian Boddy | G Minor | 4 | 6A | 136 BPM | ||
| Hostages in Love | Hampus Naeselius | B Major | 0 | 1B | 160 BPM | ||
| Watching Eden Burn | Randal Collier-Ford | A Major | 3 | 11B | 75 BPM |