David Kilgour's 'Here Come the Cars' had a release date set for January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in David Kilgour's "Here Come the Cars" album is number 1 out of 13. Based on our statistics, Here Come the Cars's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Here Come the Cars by David Kilgour to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miracles Happen Every Day | Half Japanese | C Major | 4 | 8B | 114 BPM | ||
| Look at the Skull in My Face | Pete Willson & the Rooks | D Major | 7 | 10B | 140 BPM | ||
| On health | Karen Ellis | D Major | 5 | 10B | 168 BPM | ||
| Lonely Hearts Get What They Deserve | The Moles | E Major | 5 | 12B | 107 BPM | ||
| Lights Are Changing | The Bevis Frond | F Major | 7 | 7B | 119 BPM | ||
| Mad On You | The Bats | D♭ Major | 8 | 3B | 168 BPM | ||
| T.V. On In Bed | Tronics | E Minor | 5 | 9A | 180 BPM | ||
| Shade for Today | Tall Dwarfs | A Major | 3 | 11B | 108 BPM | ||
| Welcome To N.J. | The Glands | C Major | 9 | 8B | 99 BPM | ||
| fortress | The Glands | G Major | 6 | 9B | 130 BPM | ||
| Are We Gonna Be Alright? | The Springfields | D Major | 3 | 10B | 105 BPM | ||
| We're so Lost | Voom | B Major | 6 | 1B | 81 BPM | ||
| You're Not Alone | John Ezzo | D Major | 7 | 10B | 96 BPM | ||
| Do Your Thing | The Clean | D Major | 8 | 10B | 131 BPM | ||
| Lamington Lane | The Cannanes | A Minor | 5 | 8A | 135 BPM | ||
| On The Roof | The Feelies | A Major | 8 | 11B | 164 BPM | ||
| Everything Flows | Teenage Fanclub | E♭ Major | 9 | 5B | 123 BPM | ||
| Baby Stones | Robert Forster | D Major | 6 | 10B | 124 BPM | ||
| I Had an Excellent Dream | The Dentists | D Major | 9 | 10B | 82 BPM | ||
| Apology Accepted - Remaster 2004 | The Go-Betweens | C Major | 7 | 8B | 98 BPM | ||
| Through the Day | Twerps | E Minor | 8 | 9A | 149 BPM | ||
| Anyway That You Want Me | Spiritualized | A♭ Major | 7 | 4B | 91 BPM | ||
| Sometimes | David Kilgour | D Major | 5 | 10B | 134 BPM | ||
| The Seventh | Sam Hunt, David Kilgour, The Heavy Eights | E Major | 8 | 12B | 126 BPM | ||
| Hey! Mr. Sky | Jackie O Motherfucker | F Minor | 0 | 4A | 150 BPM |