Chelsea Wolfe's 'Our Work Was Good' had a release date set for October 16, 2012. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Unknown Rooms: A Collection of Acoustic Songs". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of Our Work Was Good is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Our Work Was Good by Chelsea Wolfe having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| FOUR TEETH | True Widow | A Major | 5 | 11B | 96 BPM | ||
| welcome to my head where everything is sad | Max Madly | A Minor | 3 | 8A | 101 BPM | ||
| 16 Psyche | Chelsea Wolfe | C Minor | 6 | 5A | 158 BPM | ||
| Lavender Moon | Haroula Rose | B Minor | 3 | 10A | 100 BPM | ||
| Salome | Marriages | B♭ Major | 4 | 6B | 77 BPM | ||
| Lament | Darkher | G Major | 3 | 9B | 105 BPM | ||
| Sleeping In Your Garden | Gia Ford | D Major | 4 | 10B | 86 BPM | ||
| Dusk | Chelsea Wolfe | B♭ Major | 6 | 6B | 96 BPM | ||
| Blood Be Fluid | Julia Romana | C Minor | 2 | 5A | 180 BPM | ||
| King of Swords | King Woman | B Major | 5 | 1B | 140 BPM | ||
| You Should See Me Now | Lumenette | D♭ Major | 4 | 3B | 99 BPM | ||
| Theory of ghost | Piano Magic | A Minor | 3 | 8A | 138 BPM | ||
| The Devil's Heart | Prag 83 | G Minor | 2 | 6A | 98 BPM | ||
| Simple Death | Chelsea Wolfe | C Minor | 4 | 5A | 147 BPM | ||
| Moon on a Golden Thread | Arrowwood | D♭ Minor | 3 | 12A | 114 BPM | ||
| Mercy | Sol Seppy | B Minor | 1 | 10A | 124 BPM | ||
| New York | Ex:Re | G Major | 3 | 9B | 77 BPM | ||
| Bruise | Vyva Melinkolya, SRSQ | A♭ Major | 8 | 4B | 79 BPM | ||
| Maw | Chelsea Wolfe | F Major | 4 | 7B | 97 BPM | ||
| Buried, Pt. II | Darkher | F♯ Minor | 3 | 11A | 100 BPM | ||
| The Death Of Edwina Morrow | Max Madly | B Minor | 5 | 10A | 117 BPM | ||
| Misery Is a Butterfly | Ex:Re | D Minor | 5 | 7A | 144 BPM | ||
| Tiger Mountain | Tiny Vipers | A Major | 0 | 11B | 135 BPM | ||
| The Angel | Avice Caro | E♭ Major | 3 | 5B | 80 BPM | ||
| Virginia Woolf Underwater - Bonus Track | Chelsea Wolfe | D♭ Minor | 2 | 12A | 76 BPM |