Milt Jackson's 'Angel Face' had a release date set for January 1, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "The Jazz Skyline". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Japan. In terms of popularity, Angel Face is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Angel Face by Milt Jackson having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sandino | Charlie Haden, Paul Motian, Geri Allen | D Major | 0 | 10B | 83 BPM | ||
| Bo-Till | Clifford Jordan, John Gilmore | B♭ Major | 4 | 6B | 88 BPM | ||
| Have You Met Miss Jones? - Remastered | Kenny Barron, Ray Drummond, Ben Riley | D♭ Major | 4 | 3B | 121 BPM | ||
| It Ain't Necessarily So | Mary Lou Williams | E Minor | 2 | 9A | 128 BPM | ||
| Hi-Fly | Randy Weston | F Major | 6 | 7B | 124 BPM | ||
| Lillie - Alternate Take | Milt Jackson | A♭ Major | 1 | 4B | 63 BPM | ||
| Midnight Blue | Ben Webster, Oliver Nelson | A♭ Major | 3 | 4B | 79 BPM | ||
| Sonar | Ray Bryant Trio | F Minor | 3 | 4A | 96 BPM | ||
| Stay Right With It | Barry Harris Trio | E♭ Major | 3 | 5B | 96 BPM | ||
| A Foggy Day | Red Garland Trio | C Major | 3 | 8B | 107 BPM | ||
| Gospelette | Nat Adderley | F Major | 2 | 7B | 62 BPM | ||
| Do Nothing Till You Hear From Me | Wynton Kelly | G Major | 1 | 9B | 126 BPM | ||
| The End Of A Love Affair | Wes Montgomery Trio | D♭ Major | 2 | 3B | 115 BPM | ||
| Doujie - Instrumental | The Montgomery Brothers | G Minor | 3 | 6A | 98 BPM | ||
| Gotta Dance | Jimmy Giuffre | A♭ Minor | 0 | 1A | 90 BPM | ||
| Without a Song - Remastered | Sonny Rollins | A♭ Major | 3 | 4B | 112 BPM | ||
| Quintessence | Warne Marsh | C Minor | 2 | 5A | 77 BPM | ||
| Black Coffee | Kai Winding | C Major | 1 | 8B | 73 BPM | ||
| Willow Weep for Me | The Modern Jazz Quartet | C Major | 2 | 8B | 116 BPM | ||
| Once I Loved | Milt Jackson | C Major | 3 | 8B | 124 BPM | ||
| Sunday | Art Blakey Quartet | C Minor | 4 | 5A | 129 BPM | ||
| Big P | Jimmy Heath | D Minor | 4 | 7A | 94 BPM | ||
| Theme For Ernie | McCoy Tyner Trio | D♭ Major | 3 | 3B | 138 BPM | ||
| My Heart Stood Still | Nat Adderley | F Major | 1 | 7B | 135 BPM | ||
| Four And Five | Kenny Drew | D Major | 3 | 10B | 108 BPM |