Sheela Sethia, Kishore Manraja, Manisha Savla's ' "Rangai Jane Mahavir Na Rang Man" was released on its scheduled release date, October 25, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sheela Sethia, Kishore Manraja, Manisha Savla's "Maitri Bhavna Vol-1" album is number 9 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Rangai Jane Mahavir Na Rang Man is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Rangai Jane Mahavir Na Rang Man by Sheela Sethia, Kishore Manraja, Manisha Savla to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mujhe Vrindavan Basaya | Baba Rasika Pagal | G Major | 7 | 9B | 95 BPM | ||
| He Ma Sharda | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 185 BPM | ||
| HE NATH JODI HATH PAYE | NITIN DEVKA-NIDHO DHOLKIA | E Major | 5 | 12B | 104 BPM | ||
| Olidi Aave Birosi(Tapsya) | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethia, Dilip Bafna | G Major | 4 | 9B | 82 BPM | ||
| Khali Khali Rihis | Mamta Chandrakar, Sunil Soni | C Major | 8 | 8B | 183 BPM | ||
| Lekh Lakhe Sauna Vidhata | Hemant Chauhan | A♭ Major | 4 | 4B | 97 BPM | ||
| Naina Ma Tor | raja awasthi, Tijan Patel | F Major | 7 | 7B | 90 BPM | ||
| Aarti Gayatri Mata Ki | Hari Om Sharan | E Major | 8 | 12B | 176 BPM | ||
| Mangal Karo Mahaveer | Satish Dehra | G Major | 2 | 9B | 100 BPM | ||
| Mari Laju Ho || મારી લાજુ હો | Dwarkesh Studio Official, Meru Ahir | B♭ Major | 6 | 6B | 90 BPM | ||
| Moksha Ke Premi Hamne | Pandit Sanjeev Jain, Chetna | F♯ Major | 6 | 2B | 101 BPM | ||
| Laad Ladavo Lala Ne | Urvashi Pandya | B♭ Minor | 7 | 3A | 82 BPM | ||
| Mandap Ropan-Maro Mandavdo | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Goswami Tulsidas Hanuman Bahuk Vol 3 | Satish Dehra | D Major | 7 | 10B | 102 BPM | ||
| Jai Ho Shrinathji | HDH Shri Vrajrajkumarji Mahodayshri, VYO, Vallabh Youth Organization | F♯ Minor | 7 | 11A | 126 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Lav Hathedi Shyam Lakhi Dau | Master Rana | F Major | 5 | 7B | 144 BPM | ||
| Kungkila Hwnwi | Sourabhee Debbarma | E Major | 6 | 12B | 120 BPM | ||
| Mere Man Ke Maansarovar Kei | Brahma Kumaris | F Minor | 5 | 4A | 123 BPM | ||
| Kin shabdon main Aapka | Brahma Kumaris | C Major | 3 | 8B | 96 BPM | ||
| Barsane Ki Chhori Radha Gori Gori | Nidhi Dholakia | E Major | 7 | 12B | 114 BPM | ||
| Sai Baba Ki Sunlo Kahani | Manish Tiwari | E♭ Minor | 4 | 2A | 132 BPM | ||
| Ghani Ghani Khamma Wahala | Bhawar Chaudhari, Sheela Sethia, Rekha Trivedi | F♯ Minor | 5 | 11A | 100 BPM | ||
| Bolo Om Sai Sai | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Ek Var Yamuna Ma | Achal Mehta, Dewangi Jadeja | F♯ Minor | 7 | 11A | 126 BPM |