Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal's ' "Aan Milo Sajna" was released on its scheduled release date, May 20, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 51 in the song's album "Revival Vol.12 Ek Main Aur Ek Tu". In this album, this song's track order is #51. Furthermore, we believe that the track originated from India. In terms of popularity, Aan Milo Sajna is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Aan Milo Sajna by Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM | ||
| Pal Pal Dil Ke Pas (From "Blackmail") | Kalyanji-Anandji | B Minor | 3 | 10A | 128 BPM | ||
| Jane Woh Kaise Log The | Hemant Kumar | E Major | 3 | 12B | 93 BPM | ||
| Aap KO Dekh Ke | Amit Kumar, Sadhana Sargam | F♯ Major | 9 | 2B | 122 BPM | ||
| Dil To Hai Dil | Lata Mangeshkar, Kalyanji-Anandji | F Major | 6 | 7B | 111 BPM | ||
| YARA SEELI SEELI | Lata Mangeshkar | D♭ Major | 5 | 3B | 170 BPM | ||
| Lambi Judaai | Reshma, Laxmikant–Pyarelal | B Major | 5 | 1B | 136 BPM | ||
| Sajna O Sajna-Le To | Hemlata | A♭ Minor | 6 | 1A | 87 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Jaisi Karni Waisi Bharni (From "Jaisi Karni Waisi Bharni") | Nitin Mukesh | F Minor | 7 | 4A | 158 BPM | ||
| Patta Patta Buta Buta - From "Ek Nazar" | Mohammed Rafi, Lata Mangeshkar | A♭ Major | 7 | 4B | 138 BPM | ||
| Koi Chupke Se Aake | Geeta Dutt | D♭ Major | 1 | 3B | 83 BPM | ||
| Dil Ka Rishta - Sad Version | Babul Supriyo, Sarika Kapoor | F Major | 7 | 7B | 113 BPM | ||
| Jhooti Mooti Mitwa Aawan Bole | Bhupen Hazarika, Lata Mangeshkar | D♭ Major | 8 | 3B | 105 BPM | ||
| Dil Hoom Hoom Kare - Female Version | Bhupen Hazarika, Lata Mangeshkar | F♯ Major | 4 | 2B | 100 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Na Kajare Ki Dhar (From "Mohra") | Sadhana Sargam, Pankaj Udhas | C Minor | 7 | 5A | 145 BPM | ||
| Pyar Chahiye Mujhe Jine Ka Liye | Bappi Lahiri | F♯ Major | 1 | 2B | 124 BPM | ||
| Yeh Hawa Yeh Raat Yeh Chandni | Talat Mahmood | D♭ Major | 4 | 3B | 76 BPM | ||
| Panna Ki Tamanna Hai | Kishore Kumar, Lata Mangeshkar, R. D. Burman | G Major | 6 | 9B | 110 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Aakhir Tumhein Aana Hai | Udit Narayan, Sapna Mukherjee | A♭ Major | 6 | 4B | 102 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| Gun Guna Rahe Hai Bhanvare | Asha Bhosle, Mohammed Rafi, S. D. Burman | B Major | 4 | 1B | 104 BPM | ||
| Faza Bhi Hai Jawan - I | Salma Agha | A Major | 3 | 11B | 141 BPM |