"Spring Music: 1. Aubade" by Ned Rorem, Beaux Arts Trio had its release date on February 1, 1994. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Rorem: Spring Music / Baker: Roots II / Rochberg: Piano Trio No. 3". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Spring Music: 1. Aubade is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spring Music: 1. Aubade by Ned Rorem, Beaux Arts Trio having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fugue in Four Keys on "The Shining Shore" | Charles Ives, Orchestra New England, James Sinclair | C Major | 1 | 8B | 60 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
| Piano Sonata No. 1 in C Major, Op. 1: II. Andante | Johannes Brahms, Alexandre Kantorow | G Minor | 0 | 6A | 112 BPM | ||
| MacDowell: 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose | Edward MacDowell, Moura Lympany | A Major | 0 | 11B | 138 BPM | ||
| Massenet: 2 Berceuses: No. 1, Très calme avec un sentiment intime | Jules Massenet, Aldo Ciccolini | E♭ Major | 1 | 5B | 62 BPM | ||
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
| Le tombeau de Couperin, M. 68: I. Prélude - Orchestration by Maurice Ravel, M. 68A/1 | Maurice Ravel, Orchestre National De France, Cristian Măcelaru | D♭ Minor | 3 | 12A | 172 BPM | ||
| The Bronze Horseman (Arr. J. Lenehan): II. Andante | Helen Habershon, Andrew Fuller, John Lenehan | A Minor | 1 | 8A | 89 BPM | ||
| Concerto for English Horn and Orchestra: III. Recurring Dream | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 0 | 9B | 81 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Rorem: The Lordly Hudson | Ned Rorem, Susan Graham, Malcolm Martineau | F Minor | 0 | 4A | 74 BPM | ||
| Symphony No. 3: Passacaglia | Bournemouth Symphony Orchestra, Ned Rorem | D Minor | 1 | 7A | 111 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | A Major | 2 | 11B | 75 BPM | ||
| Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | A Major | 2 | 11B | 75 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
| Weinen, Klagen, Sorgen, Zagen | Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der Feen | A Major | 2 | 11B | 75 BPM | ||
| Concerto for English Horn and Orchestra: I. Preamble and Amble | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 1 | 9B | 103 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | A Major | 2 | 11B | 75 BPM | ||
| Clairières dans le ciel für Sopran und Klavier: No. 8, Vous m'avez regardé avec toute votre âme - 1914 | Lili Boulanger, Ehrbar Ensemble, Gerrit Zitterbart, Heidrun Blase | N/A | N/A | N/A | 0 BPM | ||
| Mercy and Truth Are Met | Ned Rorem, Katherine Glinka, Todd King, University Singers, Yuri McCoy, Brady Knapp | G Major | 1 | 9B | 61 BPM |