Lata Mangeshkar, Mohammed Rafi, Anand Bakshi, Laxmikant–Pyarelal's ' "Aaja Teri Yaad Aayee" was released on its scheduled release date, May 24, 1976. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 1 out of 6 in Charas by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Aaja Teri Yaad Aayee is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Aaja Teri Yaad Aayee by Lata Mangeshkar, Mohammed Rafi, Anand Bakshi, Laxmikant–Pyarelal is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haathon Ki Chand Lakeeron Ka | Suresh Wadkar, Anwar Hussain, Kalyanji-Anandji | D Major | 7 | 10B | 87 BPM | ||
| Thodi Thodi Piya Karo | Pankaj Udhas | B♭ Minor | 6 | 3A | 117 BPM | ||
| Tujhe Dekha Tujhe Chaha | Suman Kalyanpur, Mohammed Rafi, Hasrat Jaipuri | D Major | 5 | 10B | 142 BPM | ||
| Tere Dar Ko Chhod Chale | Pankaj Udhas | C Minor | 7 | 5A | 153 BPM | ||
| Tu Pyar Tu Preet - Tera Mera Juda Hona | Kishore Kumar, Lata Mangeshkar, R. D. Burman | F Minor | 5 | 4A | 92 BPM | ||
| Dekho Pyar Men Aesa Nahin Karte | Amit Kumar, Alka Yagnik | G Major | 4 | 9B | 80 BPM | ||
| Hawa Sard Hai | Abhijeet, Kavita Krishnamurthy | E Major | 6 | 12B | 146 BPM | ||
| Aawaz Do Humko - Happy | Udit Narayan, Lata Mangeshkar | D Major | 6 | 10B | 136 BPM | ||
| Gham Ka Fasana | Kishore Kumar, Leena Chandavarkar, Laxmikant–Pyarelal | D Major | 6 | 10B | 73 BPM | ||
| Oonchi Oonchi Deewaron | Hariharan, Alka Yagnik | D♭ Minor | 7 | 12A | 103 BPM | ||
| Kaise Din Beete, Kaise Beeti Ratiyan | Ravi Shankar, Lata Mangeshkar | D Major | 4 | 10B | 129 BPM | ||
| Tum Besahara Ho - Sad | Manna Dey, Laxmikant–Pyarelal | D Major | 9 | 10B | 123 BPM | ||
| Chanda Mama Se Pyara Mera Mama Happy With Dialogue | Usha Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | A♭ Major | 4 | 4B | 176 BPM | ||
| Man Dole Mera Tan Dole With Been Music | Ravi, Kalyanji Virji Shah, Lata Mangeshkar, Hemant Kumar | F Minor | 5 | 4A | 107 BPM | ||
| Mujhe Aisa Mila Moti | Kalyanji-Anandji, Lata Mangeshkar | E Major | 8 | 12B | 112 BPM | ||
| Tujhe Bulayen Yeh Meri Bahen | Lata Mangeshkar | A♭ Minor | 5 | 1A | 161 BPM | ||
| Suno Sajna Papihe Ne Kaha (From "Aaye Din Bahar Ke") | Tabassum, Lata Mangeshkar | E Major | 6 | 12B | 91 BPM | ||
| Sun Jaa Aa Thandi Hawa | Laxmikant–Pyarelal | G Major | 7 | 9B | 86 BPM | ||
| Sarakti Jaye Hai - Jhankar Beats | Hero And King Of Jhankar Studio, Kishore Kumar, Lata Mangeshkar | G Major | 5 | 9B | 107 BPM | ||
| Milte Hi Aankhen | Talat Mahmood, Shamshad Begum | E♭ Major | 5 | 5B | 119 BPM | ||
| Neelam Ke Nabh Chhayee Pukharaji Janki | Laxmikant–Pyarelal, Lata Mangeshkar | C Major | 5 | 8B | 171 BPM | ||
| Zid Na Karo Ab To Ruko - Male Vocals | K. J. Yesudas | D Major | 5 | 10B | 90 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Aaj Ki Raat Jara Pyar Se | Arzoo Bano | E Minor | 3 | 9A | 110 BPM | ||
| Mere Do Anmol Ratan | Mohammed Aziz, Kavita Krishnamurthy, Laxmikant–Pyarelal | F♯ Major | 7 | 2B | 80 BPM |