Buddhadev DasGupta's 'Kamod' had a release date set for August 10, 1999. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 74 in the song's album "The Raga Guide". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Kamod is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kamod by Buddhadev DasGupta having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bahar | Buddhadev DasGupta | F Major | 5 | 7B | 133 BPM | ||
| Agra | Downing And Mayer | C Major | 5 | 8B | 138 BPM | ||
| Todi - Instrumental | Ustad Bismillahkhan | E♭ Major | 4 | 5B | 148 BPM | ||
| The Deepest Of Sorrow | Pathiena | D Major | 3 | 10B | 128 BPM | ||
| Jaijaivanti | Buddhadev DasGupta | C Major | 5 | 8B | 123 BPM | ||
| 8.5 Beats | Anindo Chatterjee | B Minor | 6 | 10A | 124 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Katyoo Chuk | Shaukat Ahmad | F Major | 4 | 7B | 146 BPM | ||
| Bhajan de Mira : Raga bhairavi | Lakshmi Shankar | E Major | 0 | 12B | 140 BPM | ||
| Sitar Tabla Duo | Dann Torres | F♯ Major | 4 | 2B | 140 BPM | ||
| Listening To The River | Chinmaya Dunster | A♭ Major | 0 | 4B | 76 BPM | ||
| Bhairavi | Ty Burhoe, Kala Ramnath | F Major | 4 | 7B | 109 BPM | ||
| Joy | G.S. Sachdev | F Major | 0 | 7B | 89 BPM | ||
| Kashmiri Dhun in Dadra Tal | Ronu Majumdar, Abhijit Banerjee | E Major | 1 | 12B | 137 BPM | ||
| Bageshri | Hariprasad Chaurasia | A Major | 4 | 11B | 104 BPM | ||
| Maharaj Eki Sajey Ele | Tejendra Majumdar | C Major | 5 | 8B | 117 BPM | ||
| Sunand Bhairav - Aalap | Milind Date | A Minor | 1 | 8A | 77 BPM | ||
| Raga Bhairavi | Shaant Man | G Minor | 6 | 6A | 130 BPM | ||
| Freedom At Midnight | Bickram Ghosh | A Major | 7 | 11B | 166 BPM | ||
| Raga Puriya | Chandr Pushp | A Major | 7 | 11B | 110 BPM | ||
| Hamari Atariya Pe | Shujaat Khan | F♯ Major | 5 | 2B | 128 BPM | ||
| Raaga Charukeshi Composition in Madhya Laya Teentaal | Imran Khan | D Major | 4 | 10B | 124 BPM | ||
| Tabla Solo - Taal Rupak | Nayan Ghosh, Ishaan Ghosh | D♭ Major | 6 | 3B | 126 BPM | ||
| Raga Madhuvanti: Alap, Jor (Live) | Srdjan Beronja | D Major | 7 | 10B | 110 BPM | ||
| Tal Pravh and Laggi | Anindo Chatterjee | F♯ Minor | 7 | 11A | 142 BPM |