"Caesar's Tribute" by Nicholas Carras had its release date on August 23, 2019. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Caesar's Tribute's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicholas Carras's "High School Caesar" album is number 3 out of 24. On top of that, United States appears to be the country where this track was created. Caesar's Tribute is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Caesar's Tribute by Nicholas Carras to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Do or Die | Nicholas Carras | C Major | 3 | 8B | 116 BPM | ||
| The Confessional | David Shire | G Major | 2 | 9B | 133 BPM | ||
| The Detectives (Short Version) | Alan Tew | E Minor | 5 | 9A | 108 BPM | ||
| Jungle Duck | Nicholas Carras | F♯ Major | 8 | 2B | 113 BPM | ||
| History | Ari Balouzian | C Major | 1 | 8B | 91 BPM | ||
| Glory Day In Green Bay | Sam Spence | B♭ Minor | 8 | 3A | 130 BPM | ||
| Cadillac | Combustible Edison | D Minor | 4 | 7A | 108 BPM | ||
| You're Not There | Don Rendell | E♭ Minor | 0 | 2A | 60 BPM | ||
| The Race, First Laps - From The 1971 Original Soundtrack "Le Mans" | Michel Legrand | D Minor | 8 | 7A | 111 BPM | ||
| The Seven Dials Meet | Anne Nikitin | F Major | 4 | 7B | 121 BPM | ||
| Back To Work | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| Beep Beep (The Roadrunner) | The Hesitations | F Major | 10 | 7B | 94 BPM | ||
| The Other Half | Andrew Lockington | A Minor | 3 | 8A | 73 BPM | ||
| Di Tresette ce n'è uno, tutti gli altri son nessuno (From "Di Tresette ce n'è uno, tutti gli altri son nessuno") - Seq. 1 – Titoli | Alessandro Alessandroni | A Minor | 4 | 8A | 108 BPM | ||
| White Sand - Extended Version | Piero Umiliani | F Major | 4 | 7B | 214 BPM | ||
| Kitchen N.Y. | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| Zurich | David Holmes | B♭ Major | 3 | 6B | 130 BPM | ||
| 我妻のテーマ(グノシェンヌⅠ) | Daisaku Kume | F Major | 4 | 7B | 121 BPM | ||
| Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | D♭ Major | 1 | 3B | 116 BPM | ||
| Following Hobden | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| Ghosts of the Past | Sutnuz | F♯ Minor | 3 | 11A | 141 BPM | ||
| Pretty Boy | Stepped Up Station | A Major | 4 | 11B | 130 BPM | ||
| Italia a mano armata | Franco Micalizzi | A♭ Major | 8 | 4B | 120 BPM | ||
| The Last Race (From "Death Proof") | Jack Nitzsche | D♭ Major | 9 | 3B | 73 BPM | ||
| The Big One | Alan Tew | D Major | 5 | 10B | 143 BPM |