Fernando Sor, Norbert Kraft's ' "24 Progressive Lessons, Op. 31: No. 15 in D Major" was released on its scheduled release date, August 12, 2016. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Sor: 24 Progressive Lessons, Op. 31 - 6 Little Pieces, Op. 32". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 24 Progressive Lessons, Op. 31: No. 15 in D Major's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 24 Progressive Lessons, Op. 31: No. 15 in D Major by Fernando Sor, Norbert Kraft having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adio Querida | Flavio Cucchi | A Minor | 2 | 8A | 131 BPM | ||
| Villa-Lobos: Guitar Preludes, W419: No. 4 in E Minor, Lento | Heitor Villa-Lobos, Turibio Santos | B Minor | 0 | 10A | 114 BPM | ||
| Evocación | David Tutmark | E Minor | 1 | 9A | 116 BPM | ||
| La Soledad | Samuel Diz, Avelina Valladares | G Major | 9 | 9B | 136 BPM | ||
| Studio Op.50 N.1 - Andantino | Mauro Giuliani, Lucio Matarazzo | C Major | 0 | 8B | 106 BPM | ||
| Flores de la montana (Arr. A. Lauro) | Raul Borges, Victor Villadangos | D Major | 0 | 10B | 98 BPM | ||
| Contreras: Pastillaneando | José Contreras, Eliot Fisk | B♭ Major | 3 | 6B | 96 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | G Major | 0 | 9B | 79 BPM | ||
| Cinq préludes, W 419: No. 2, Homenagem ao Malandro Carioca | Heitor Villa-Lobos, Giulia Ballaré | C Major | 1 | 8B | 104 BPM | ||
| Sonatina canonica, Op. 196: I. Mosso, grazioso e leggero | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | B Minor | 1 | 10A | 84 BPM | ||
| Se Ela Perguntar | David Tutmark | E Minor | 1 | 9A | 56 BPM | ||
| Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Minor | 1 | 8A | 108 BPM | ||
| Balleto | Manuel Ponce, Gerardo Díaz de León | A Major | 2 | 11B | 126 BPM | ||
| Andecy | Andrew York | G Major | 0 | 9B | 79 BPM | ||
| Turina: Ráfaga, Op. 53 | Joaquín Turina, Turibio Santos | A Minor | 1 | 8A | 98 BPM | ||
| Guitar Suite No. 2: I. Prelude | Peter Scott Lewis | G Major | 1 | 9B | 93 BPM | ||
| Sonate romantique "Hommage à Schubert": II. Andante | Manuel Ponce, Marcin Dylla | A Major | 1 | 11B | 126 BPM | ||
| Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
| An die Entfernte | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| ラグリマ<涙> | ミハエル・トレスター(ギター) | E Major | 0 | 12B | 85 BPM | ||
| Prelude & Dance: Prelude | Jorge Morel, Celil Refik Kaya | E Minor | 0 | 9A | 94 BPM | ||
| Beethoven: Sonatina for Mandolin and Piano in C Minor, WoO 43a (Transc. Santos for Two Guitars) | Ludwig van Beethoven, Turibio Santos, Oscar Caceres | A Major | 0 | 11B | 125 BPM | ||
| Lied ohne Worte | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Barrios Mangoré: La catedral: III. Allegro solemne | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| Study No. 6 in D Major, Op. 35: No. 17, Allegro grazioso | Tariq Harb | D Major | 1 | 10B | 58 BPM |