Gillian Welch's ' "Caleb Meyer" was released on its scheduled release date, July 28, 1998. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gillian Welch's "Hell Among The Yearlings" album is number 1 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Caleb Meyer is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Caleb Meyer by Gillian Welch to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Hear Them All | Dave Rawlings Machine | G Major | 1 | 9B | 94 BPM | ||
| Across the Great Divide | Nanci Griffith | A Major | 2 | 11B | 77 BPM | ||
| The Redtail Hawk | Kate Wolf | G Major | 1 | 9B | 85 BPM | ||
| Traveling Alone | Tift Merritt | F♯ Major | 1 | 2B | 141 BPM | ||
| Mother in the Graveyard | Anna & Elizabeth | A Major | 2 | 11B | 82 BPM | ||
| Ebb and Flow | The Dead Tongues | F Major | 5 | 7B | 165 BPM | ||
| Dogsong aka Sleep Dog Lullaby | The Be Good Tanyas | C Major | 2 | 8B | 105 BPM | ||
| Look Out Mama | Hurray For The Riff Raff | D Major | 5 | 10B | 94 BPM | ||
| Undone in Sorrow | Ola Belle Reed | D Major | 2 | 10B | 90 BPM | ||
| And Am I Born To Die | Béla Fleck, Abigail Washburn | D Major | 1 | 10B | 131 BPM | ||
| Boots of Spanish Leather | Nanci Griffith | A Major | 2 | 11B | 100 BPM | ||
| Maria | I Draw Slow | F♯ Minor | 4 | 11A | 96 BPM | ||
| Let Him Roll | Guy Clark | C Major | 3 | 8B | 82 BPM | ||
| Devils | Amelia Curran | E Minor | 3 | 9A | 141 BPM | ||
| Randall Collins | Norman Blake | F♯ Major | 4 | 2B | 116 BPM | ||
| Mining For Gold | Cowboy Junkies | C Major | 1 | 8B | 96 BPM | ||
| Waterbound | Dirk Powell | D♭ Minor | 4 | 12A | 166 BPM | ||
| Six White Horses | Gillian Welch | F Minor | 4 | 4A | 98 BPM | ||
| Can't Let Go | Lucinda Williams | G Major | 8 | 9B | 94 BPM | ||
| Eastern Light (feat. Sam Beam) | Tift Merritt, Sam Beam | D Major | 1 | 10B | 148 BPM | ||
| El Dorado | Molly Tuttle, Molly Tuttle & Golden Highway | F Minor | 1 | 4A | 80 BPM | ||
| Midnight Train | David Rawlings | A Major | 4 | 11B | 131 BPM | ||
| The Way It Goes | Gillian Welch | F Minor | 4 | 4A | 98 BPM | ||
| I Hear Them All | Old Crow Medicine Show | B Minor | 9 | 10A | 202 BPM | ||
| Sweet Tooth | Dave Rawlings Machine | F Major | 3 | 7B | 99 BPM |