The Three Degrees's ' "Contact" was released on its scheduled release date, October 11, 2019. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Contact's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "The Roulette Years". In this album, this song's track order is #34. Based on our statistics, Contact's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Contact by The Three Degrees having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| So You Win Again | Hot Chocolate | A Major | 5 | 11B | 105 BPM | ||
| You're the One | The Three Degrees | F♯ Minor | 8 | 11A | 109 BPM | ||
| Whodunit | Tavares | D♭ Major | 7 | 3B | 97 BPM | ||
| Yester-Me, Yester-You, Yesterday | Stevie Wonder | F♯ Major | 4 | 2B | 101 BPM | ||
| Smarty Pants | First Choice | G Minor | 9 | 6A | 114 BPM | ||
| He's the Greatest Dancer | Sister Sledge | D Minor | 9 | 7A | 114 BPM | ||
| How Can I Be Sure | David Cassidy | D Minor | 6 | 7A | 85 BPM | ||
| Morning Side Of The Mountain | Donny & Marie Osmond | B♭ Major | 6 | 6B | 111 BPM | ||
| It's in His Kiss | Linda Lewis | F Minor | 8 | 4A | 123 BPM | ||
| Pillow Talk | Sylvia | D Major | 6 | 10B | 110 BPM | ||
| Instant Replay | Dan Hartman | A Minor | 7 | 8A | 129 BPM | ||
| I Can't Stand the Rain | Eruption | B Major | 7 | 1B | 108 BPM | ||
| Keep On Hustlin' | Van McCoy | B♭ Major | 6 | 6B | 106 BPM | ||
| Someday We'll Be Together | Diana Ross & The Supremes | D♭ Major | 5 | 3B | 107 BPM | ||
| You Don't Have to Be a Star (To Be In My Show) | Marilyn McCoo, Billy Davis Jr. | F♯ Minor | 6 | 11A | 200 BPM | ||
| Medley: Working My Way Back to You / Forgive Me, Girl | The Spinners | A Minor | 8 | 8A | 122 BPM | ||
| Sukiyaki - Remastered | A Taste Of Honey | E♭ Major | 4 | 5B | 136 BPM | ||
| Holdin' Out for Love | Angela Bofill | F Minor | 5 | 4A | 174 BPM | ||
| What Becomes Of The Brokenhearted | Jimmy Ruffin | F Major | 6 | 7B | 96 BPM | ||
| Thank God It's Friday | Love And Kisses | C Minor | 7 | 5A | 127 BPM | ||
| Don't Leave Me This Way | Thelma Houston | C Minor | 8 | 5A | 122 BPM | ||
| More, More, More - Re-Recorded | Andrea True Connection | C Major | 2 | 8B | 92 BPM | ||
| Sky High | Jigsaw | C Major | 3 | 8B | 112 BPM | ||
| The Love I Lost (feat. Teddy Pendergrass) - Single Version | Harold Melvin & The Blue Notes, Teddy Pendergrass | D Major | 9 | 10B | 124 BPM | ||
| Midnight Train to Georgia - Single Version | Gladys Knight & The Pips | B♭ Minor | 4 | 3A | 91 BPM |