"Nature Always Wins" by David Buckley had its release date on June 23, 2015. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Nature Always Wins's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 27 in Batman: Arkham Knight, Vol. 1 (Original Video Game Score) by Nick Arundel, David Buckley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Nature Always Wins is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nature Always Wins by David Buckley is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That's Not a Choo-Choo | Marco Beltrami | F Major | 5 | 7B | 87 BPM | ||
| Deep Sea - Darkness Ver. | Capcom Sound Team | B♭ Major | 2 | 6B | 78 BPM | ||
| Unity | Chris Tilton | A Minor | 4 | 8A | 110 BPM | ||
| Two Against One | Alexandre Desplat | D♭ Major | 4 | 3B | 119 BPM | ||
| Headless | Natalie Holt | A Major | 4 | 11B | 140 BPM | ||
| Kronika's Hourglass - Stage | Nathan Grigg | D♭ Major | 8 | 3B | 77 BPM | ||
| Let Me Think About It | John Powell, David Buckley | D Major | 0 | 10B | 104 BPM | ||
| Uprising | Adam Burgess, Overwatch, Blizzard Entertainment | A♭ Major | 5 | 4B | 126 BPM | ||
| Darth Maul Breaks Obi-wan | Kevin Kiner | G Minor | 2 | 6A | 92 BPM | ||
| No More Guns | Tyler Bates, Joel J. Richard | G Major | 6 | 9B | 74 BPM | ||
| Final Combat | Christopher Lennertz | B♭ Minor | 7 | 3A | 162 BPM | ||
| That Is the Target | Craig Armstrong | G Major | 6 | 9B | 130 BPM | ||
| Wilco | Kevin Kiner | G Major | 3 | 9B | 130 BPM | ||
| Ten Seconds... Maybe | Max Aruj, Alfie Godfrey | C Major | 1 | 8B | 102 BPM | ||
| Be Partners | Charlie Clouser | D Major | 3 | 10B | 132 BPM | ||
| Venom Factory | Ron Fish, Nick Arundel | A♭ Major | 3 | 4B | 79 BPM | ||
| Epilogue | Sean Murray | D Minor | 2 | 7A | 67 BPM | ||
| Monsters We | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| A Doll's House | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Lady Masako | Ilan Eshkeri | G Minor | 3 | 6A | 81 BPM | ||
| Arkham Origins End Titles | Christopher Drake | D Major | 5 | 10B | 94 BPM | ||
| The One | Alan Silvestri | F Minor | 5 | 4A | 87 BPM | ||
| Live, Die, Repeat (End Title) | Christophe Beck | C Minor | 2 | 5A | 80 BPM | ||
| Eagle Claw, Pt. 1 | Sean Murray | A♭ Major | 5 | 4B | 130 BPM | ||
| The Freakshow | Nathan Whitehead | D♭ Major | 3 | 3B | 122 BPM |