Two For The Seesaw by Gary Smulyan, Mike LeDonne, Peter Washington, Kenny Washington, Bob Belden, Mark Feldman, Laura Seaton, Jon Kass, Regina Carter, Cenovia Cummins, Ron Lawrence, Erik Friedlander, Tomas Ulrich, Clay Ruede Song Details

Gary Smulyan, Mike LeDonne, Peter Washington, Kenny Washington, Bob Belden, Mark Feldman, Laura Seaton, Jon Kass, Regina Carter, Cenovia Cummins, Ron Lawrence, Erik Friedlander, Tomas Ulrich, Clay Ruede's 'Two For The Seesaw' had a release date set for 1997. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Gary Smulyan's "Gary Smulyan With Strings" album is number 10 out of 10. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Two For The Seesaw is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Two For The Seesaw by Gary Smulyan, Mike LeDonne, Peter Washington, Kenny Washington, Bob Belden, Mark Feldman, Laura Seaton, Jon Kass, Regina Carter, Cenovia Cummins, Ron Lawrence, Erik Friedlander, Tomas Ulrich, Clay Ruede to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Music Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

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