"Does the Moment Ever Come? (from "Just So")" by Graham Bickley had its release date on August 10, 1999. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 15 in Does The Moment Ever Come? by Graham Bickley. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Does the Moment Ever Come? (from "Just So") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Does the Moment Ever Come? (from "Just So") by Graham Bickley is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| By the Time I Get to Phoenix | Des O'Connor | E Major | 3 | 12B | 88 BPM | ||
| Overture from Guys and Dolls | Jay Blackton (conductor), Guys and Dolls Pit Orchestra | A♭ Major | 4 | 4B | 70 BPM | ||
| Ballroom: Fifty Percent | Billy Goldenberg, Dorothy Loudon, Les Scott | E♭ Major | 3 | 5B | 80 BPM | ||
| Finale: You'll Never Walk Alone - Reprise | Joshua Henry, Brittany Pollack, Jessie Mueller, Renée Fleming, 'Carousel' 2018 Broadway Cast | F Major | 3 | 7B | 113 BPM | ||
| Can You Feel The Love Tonight (From 'The Lion King') | Martine McCutcheon | E♭ Major | 3 | 5B | 68 BPM | ||
| West Side Story (Original Broadway Cast): Act I: Tonight | Leonard Bernstein, Carol Lawrence, Larry Kert, West Side Story Original Broadway Cast | C Minor | 1 | 5A | 137 BPM | ||
| The Loveliest Night of the Year (Arr. by Robert Ramskill) | Juventino Rosas, Hugh Martin, Ralph Blane, Aled Jones, Russell Watson, Tom Rainey | G Major | 5 | 9B | 81 BPM | ||
| Merry Widow Waltz | Harry Secombe, Moira Anderson | G Major | 3 | 9B | 131 BPM | ||
| Monday, Monday - California Dreamin' (Arr. R. Balcombe for vocals and orchestra) | John Phillips, Michelle Phillips, Mary Carewe, Graham Bickley, Alison Jiear, Abbie Osmon, Royal Philharmonic Orchestra, Richard Balcombe | C Major | 4 | 8B | 112 BPM | ||
| It Had to Be You (Arr. R. Balcombe & M. Carewe for 2 Voices & Orchestra) | Isham Jones, Mary Carewe, Graham Bickley, Royal Philharmonic Orchestra, Richard Balcombe | E♭ Major | 2 | 5B | 98 BPM | ||
| How About You? (From "Babes on Broadway") [Arr. R. Balcombe & M. Carewe for 2 Voices & Orchestra] | Burton Lane, Mary Carewe, Graham Bickley, Royal Philharmonic Orchestra, Richard Balcombe | E Major | 2 | 12B | 115 BPM | ||
| They Can't Take That Away from Me (From "Shall We Dance") [Arr. R. Balcombe & M. Carewe for Voice & Orchestra] | George Gershwin, Graham Bickley, Royal Philharmonic Orchestra, Richard Balcombe | B♭ Major | 3 | 6B | 115 BPM | ||
| What Was Mine Has Gone | Graham Bickley | B Minor | 1 | 10A | 66 BPM | ||
| Tonight | Sierra Boggess, Julian Ovenden | C Minor | 3 | 5A | 83 BPM | ||
| All The Things You Are | Peter Nero | A♭ Major | 2 | 4B | 124 BPM | ||
| The Point of No Return (from "The Phantom of the Opera") | Graham Bickley | F Minor | 2 | 4A | 69 BPM | ||
| Arlen / Arr. Chaplin: Get Happy (From "Summer Stock") | The John Wilson Orchestra, John Wilson | D Major | 5 | 10B | 170 BPM | ||
| Why Can't You Behave? | Diane Langton | E♭ Major | 1 | 5B | 73 BPM | ||
| Padua Street Scene / We Open In Venice | Diana Montague | E♭ Major | 1 | 5B | 73 BPM | ||
| Aquarius - Let the Sunshine In (arr. R. Balcombe for vocals and orchestra) | Gerome Ragni, Galt MacDermot, James Rado, Richard Balcombe, Graham Bickley, Mary Carewe, Alison Jiear, Abbie Osmon, Royal Philharmonic Orchestra | G Major | 4 | 9B | 90 BPM | ||
| Press Conference - Dreamgirls/Broadway/Original Cast Version | The Company, Sheryl Lee Ralph, Ben Harney | F Major | 4 | 7B | 75 BPM | ||
| Tell Me To Go | Iain Glen, Rebecca Lock | B♭ Major | 1 | 6B | 84 BPM | ||
| Time After Time (Duet with Jerry Lewis) | Deana Martin | A Major | 1 | 11B | 66 BPM | ||
| My Fair Lady: I Could Have Danced All Night | Frederick Loewe, Julie Andrews, Betty Woolfe, Original London Cast of My Fair Lady Ensemble, Franz Allers, Cyril Ornadel | C Major | 2 | 8B | 72 BPM | ||
| Heart | Russ Brown, Jimmie Komack, Nathaniel Frey, Albert Linville | A♭ Major | 2 | 4B | 127 BPM |