Ved Vrind's ' "Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers" was released on its scheduled release date, October 20, 2015. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Rigveda - Essential Selections". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. The popularity of Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers by Ved Vrind having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Venkateshwara Stotram | Puttur Narasimha Nayak | D♭ Major | 7 | 3B | 151 BPM | ||
| Shri Kuldevi Stotram | Dhanashree Deshpande | B♭ Major | 3 | 6B | 94 BPM | ||
| Sri Sukutham | Malola Kannan | D♭ Major | 4 | 3B | 105 BPM | ||
| Varuna Sooktham | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | D Major | 3 | 10B | 115 BPM | ||
| อภิณ์หปัจจเวกขณะ | Ocean Media | G Major | 1 | 9B | 70 BPM | ||
| Phalashruti | Sanjeev Abhyankar | C Major | 5 | 8B | 95 BPM | ||
| Bhagavad Gita Adhyay, Pt. 6 | Shrirang Bhave | E♭ Major | 1 | 5B | 71 BPM | ||
| Sri Venkatesh Stotra Sanskrit | DEEPA RANE | F♯ Major | 2 | 2B | 174 BPM | ||
| Vishnu Sahasranamam Phalasruti | Puttur Narasimha Nayak, Kalyana Raman, Chandan Nallal | A♭ Major | 7 | 4B | 74 BPM | ||
| Prakattita | Grihsam | A♭ Major | 1 | 4B | 91 BPM | ||
| Om Gauri Shankaraya Namah 108 Times in 5 Minutes | Dinesh Arjuna, Ravi Khanna | D♭ Major | 7 | 3B | 81 BPM | ||
| Sri Surya Ashtothram - Sathyanaama Sthothram | Ramu, N. S. Prakash, Ponduri | B♭ Major | 3 | 6B | 122 BPM | ||
| Bhagya Suktham | S.Prakash Kaushik | F Major | 6 | 7B | 87 BPM | ||
| Bhagavad Gita, Pt. 6 - Atmasanyama Yoga | Pt. Ved Prakash Phondani | E♭ Major | 4 | 5B | 83 BPM | ||
| Lakshmi Narasimha Ashtakam | Shankara Sastry | A Major | 3 | 11B | 169 BPM | ||
| Budhama M | Rinkoo Giri | E♭ Major | 2 | 5B | 122 BPM | ||
| Sri Ganesha Ashtakam | Veda Pandits | F Major | 3 | 7B | 123 BPM | ||
| Om Namo Narayanaya | P. S. Ranganath, Vijayalakshmi | F♯ Major | 3 | 2B | 73 BPM | ||
| Paatu | Suresam | A♭ Major | 1 | 4B | 136 BPM | ||
| Om Sri Banashankariye Namaha | Puttur Narasimha Nayak | A♭ Major | 1 | 4B | 105 BPM | ||
| Navagraha Dhyana Sthostram | Banglore Sisters | A Major | 3 | 11B | 132 BPM | ||
| Narayanasuktam | Govindarajan, Malola Kannan | D♭ Major | 3 | 3B | 159 BPM | ||
| Bhagavad Gita, Pt. 10 - Vibhuti Vistara Yoga | Pt. Ved Prakash Phondani | E♭ Major | 4 | 5B | 83 BPM | ||
| Srivari Padalu | Amma | B♭ Minor | 5 | 3A | 131 BPM | ||
| Mantrapushpam | S.Prakash Kaushik | B♭ Major | 5 | 6B | 172 BPM |