On April 28, 2013, the song "Three Irish Tunes" was released by Daniel Estrem. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Three Irish Tunes's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 31 in Classical Ukulele by Daniel Estrem. The popularity of Three Irish Tunes is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Three Irish Tunes by Daniel Estrem is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estudio No. 6 | Elena Ortega | D Major | 3 | 10B | 95 BPM | ||
| Saumell / Transc. Ortega: 51 Contradanzas: No. 24, La Nené | Manuel Saumell, Turibio Santos, Oscar Caceres | B♭ Major | 1 | 6B | 145 BPM | ||
| Guitar Suite No. 3: I. Prelude | Peter Scott Lewis | A Minor | 1 | 8A | 81 BPM | ||
| Valsette | Alexandre Tansman, Kazuhito Yamashita | A Major | 1 | 11B | 123 BPM | ||
| Canço del Lladre | Heike Matthiesen | E Minor | 0 | 9A | 82 BPM | ||
| Ana Cristina | Antonio Lauro, Victor Villadangos | A Minor | 0 | 8A | 71 BPM | ||
| 26 Ricercares: No. 23, Ricercare del undecimo tono per B molle | Vincenzo Galilei, John Oeth | D Minor | 0 | 7A | 72 BPM | ||
| Entree de Polymnie | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 5 in B Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | G Minor | 1 | 6A | 139 BPM | ||
| Sonatina 4. a Capriccio | Teresa de Rogatis, Clara Campese | F Major | 3 | 7B | 65 BPM | ||
| Petzold: Notebook for Anna Magdalena Bach: Minuet in G Major (Formerly Attributed to JS Bach as BWV Anh. 114) [Transcr. Lagoya for Guitar] | Christian Petzold, Alexandre Lagoya | D Major | 1 | 10B | 131 BPM | ||
| Guitar Suite No. 1: III. Into a Clearing | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM | ||
| El Felipe | Pepe Ferrer, Victor Villadangos | A♭ Minor | 1 | 1A | 172 BPM | ||
| 26 Ricercares: No. 6, Ricercare del sesto tono per duro | Vincenzo Galilei, John Oeth | A Major | 1 | 11B | 79 BPM | ||
| Songs Without Words: Weary | Madame Sidney Pratten, Heike Matthiesen | D Major | 1 | 10B | 131 BPM | ||
| Bridal Suite | Eric Tingstad | B Major | 1 | 1B | 91 BPM | ||
| Maria Luisa | David Tutmark | A Minor | 1 | 8A | 73 BPM | ||
| Partita "Polonaise" in A major for two guitars: Rigidon | Georg Philipp Telemann, Narciso Yepes, Godelieve Monden | G Minor | 0 | 6A | 136 BPM | ||
| Suite de los Buenos Aires: I. Preludio y Nanita | Claudia Montero, Alena Walentin, Niklas Johansen | E Major | 0 | 12B | 92 BPM | ||
| Guitar Suite No. 3: II. Morning Improv. | Peter Scott Lewis | G Major | 1 | 9B | 93 BPM | ||
| Miguel Fuenllana : Fantasia | Renata Tarragó | B♭ Minor | 1 | 3A | 117 BPM | ||
| Sonatina: I. Allegretto (Torroba) | Edoardo Catemario | A Major | 1 | 11B | 125 BPM | ||
| 6 Schubertian Songs (arr. J. Mertz for guitar): Lob der Tranen (Praise of Tears), D. 711 (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gabriel Bianco | D Major | 0 | 10B | 82 BPM | ||
| Carcassi op.60 n.12 andante mosso | Matteo Carcassi, Lucio Matarazzo | D Major | 2 | 10B | 127 BPM |