Tim Eriksen's 'Every Day Is Three' had a release date set for 2013. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tim Eriksen's "Josh Billings Voyage Or, Cosmopolite on the Cotton Road" album is number 1 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Every Day Is Three's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Every Day Is Three by Tim Eriksen to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Many's the Night's Rest | The Furrow Collective | F♯ Minor | 2 | 11A | 77 BPM | ||
| Queen Jane | Tim Eriksen | C Minor | 0 | 5A | 103 BPM | ||
| A Wanderer I'll Stay | Pharis & Jason Romero | C Major | 0 | 8B | 107 BPM | ||
| True False True Lover | Mama's Broke | C Major | 3 | 8B | 126 BPM | ||
| Now Westlin Winds | Dick Gaughan | E Major | 2 | 12B | 128 BPM | ||
| Poorer Then | David Francey | C Major | 4 | 8B | 201 BPM | ||
| Hawk and Crow | Emily Smith | D Major | 2 | 10B | 80 BPM | ||
| Mackerel | The Rheingans Sisters | G Major | 6 | 9B | 105 BPM | ||
| Hartford Way | The Last River Bottomed Fig Plucker | A Major | 1 | 11B | 153 BPM | ||
| Lazy John | Chance McCoy & The Appalachian String Band | G Major | 2 | 9B | 79 BPM | ||
| Castle by the Sea | Eliza Carthy, Tim Eriksen | D♭ Minor | 2 | 12A | 174 BPM | ||
| Do You Love an Apple | The Bothy Band | G Major | 2 | 9B | 141 BPM | ||
| Old Dog | Chris Coole | B Major | 4 | 1B | 96 BPM | ||
| Spanish Boots of Spanish Leather | Ewan McLennan | D Minor | 2 | 7A | 79 BPM | ||
| Humboldt Wassail | Holly Tannen | A Major | 2 | 11B | 106 BPM | ||
| When You Were Born / Rawling's March / March to Prague | Melrose Quartet | E Major | 0 | 12B | 97 BPM | ||
| Here's the Tender Coming / The Keel Row | Johnny Campbell, The Brothers Gillespie | G Major | 2 | 9B | 101 BPM | ||
| My Epitaph | Ola Belle Reed | E Minor | 0 | 9A | 83 BPM | ||
| Gone So Long | Nora Brown, Stephanie Coleman | E♭ Major | 3 | 5B | 103 BPM | ||
| Hills of Mexico | Nora Brown | F Major | 0 | 7B | 128 BPM | ||
| Cats and Dogs (You Seamen Bold) | Eliza Carthy, Tim Eriksen | A Major | 3 | 11B | 117 BPM | ||
| I'll Be Here in the Morning | 10 String Symphony | E♭ Major | 2 | 5B | 102 BPM | ||
| The Redtail Hawk | Kate Wolf | G Major | 1 | 9B | 85 BPM | ||
| Terrell Texas Blues | Golden Shoals | E Major | 2 | 12B | 125 BPM | ||
| The Sea Captain | Lankum | G Major | 3 | 9B | 93 BPM |