"The Rot in the Slums" by Stephanie Economou, Assassin's Creed had its release date on July 27, 2021. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Rot in the Slums's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 14 in Assassin's Creed Valhalla: The Siege of Paris (Original Game Soundtrack) by Stephanie Economou, Assassin's Creed. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Rot in the Slums is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Rot in the Slums by Stephanie Economou, Assassin's Creed is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Order 66 | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| Race to the Village | Heitor Pereira | C Major | 3 | 8B | 115 BPM | ||
| Coastal Vivarium | J Scott Rakozy, Hogwarts Legacy | C Major | 3 | 8B | 75 BPM | ||
| Forsaken | Stephanie Economou, Assassin's Creed | D Major | 5 | 10B | 144 BPM | ||
| Maria | Behruz Qarayev, Bixpat | D♭ Major | 1 | 3B | 90 BPM | ||
| Struggle | Conor Randon, Moblodok | B Major | 1 | 1B | 63 BPM | ||
| Arrival at Jackie's Mountains | Rupert Gregson-Williams | F Major | 3 | 7B | 74 BPM | ||
| Back to Buzzness | Michael Giacchino | C Major | 2 | 8B | 80 BPM | ||
| Raptors / Stand Together - From "Dinosaur"/Score | James Newton Howard | F Major | 3 | 7B | 74 BPM | ||
| Trailblazer Legacy | Wilbert Roget, II | A Major | 1 | 11B | 83 BPM | ||
| Stardom | Stephor Shpandau | B Minor | 2 | 10A | 115 BPM | ||
| End of the Line | Harry Gregson-Williams, Stephanie Economou | D♭ Major | 4 | 3B | 95 BPM | ||
| Waterhole & Tarbosaurus | Kara Talve, Anže Rozman | C Minor | 1 | 5A | 120 BPM | ||
| Démon contre Démoniste - Bande originale du film "Kaamelott - Deuxième Volet [Partie 1]" | Alexandre Astier | C Minor | 4 | 5A | 83 BPM | ||
| Come Away with Me | Silviu Michaels, Sade | D♭ Major | 3 | 3B | 110 BPM | ||
| Farmageddon End Credits | Tom Howe | F Major | 2 | 7B | 133 BPM | ||
| The Map of Lyssia | Thomas Haines | D Minor | 3 | 7A | 128 BPM | ||
| Deciphering Pain | Hugo Obum | D♭ Major | 1 | 3B | 77 BPM | ||
| Robots vs. The Wild | Kris Bowers | E Minor | 4 | 9A | 187 BPM | ||
| Dark Peony | Katie Barrel, Nasijav | G Minor | 4 | 6A | 105 BPM | ||
| Rise Of The Titans Prologue | Jeff Danna | D♭ Major | 5 | 3B | 86 BPM | ||
| Sharpen the Battle Claws | David Hirschfelder | F Minor | 2 | 4A | 87 BPM | ||
| Allosaurus | Leo Birenberg | A Major | 3 | 11B | 85 BPM | ||
| Left Earth | Wilfred Rockell, Maendi | F Minor | 4 | 4A | 130 BPM | ||
| Have a Great Day | Christophe Beck | D♭ Major | 1 | 3B | 142 BPM |