Various World Reknowed Orchestras And Conductors's ' "Hungarian Dance #5" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Hungarian Dance #5's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Hungarian Dance #5 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Hungarian Dance #5 by Various World Reknowed Orchestras And Conductors is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto #1 | Various World Reknowed Orchestras And Conductors | D♭ Major | 4 | 3B | 82 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
| Mephisto Waltz | Various World Reknowed Orchestras And Conductors | D Major | 3 | 10B | 77 BPM | ||
| Britten: Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | C Minor | 1 | 5A | 80 BPM | ||
| 5 Lieder, Op. 49 (arr. for orchestra): 5 Lieder, Op. 49: No. 4. Wiegenlied (Lullaby) (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 79 BPM | ||
| The Seasons, Op. 67: VIII. Scene 3, L'Eté | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 3 | 10B | 76 BPM | ||
| Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
| Don Quixote: Act I, Scene: Lorenzo, Quiteria and Basilio | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 121 BPM | ||
| Carmen Suite, VIII. Bolero: VII. Intermezzo No. 2 (After G. Bizet) | Rodion Shchedrin, Monte-Carlo Philharmonic Orchestra, James DePreist | B Major | 0 | 1B | 120 BPM | ||
| Neopolitan Song (Swan Lake) | Various World Reknowed Orchestras And Conductors | E♭ Major | 3 | 5B | 81 BPM | ||
| A Midsummer Night's Dream: Nocturne | Felix Mendelssohn, Eirian James, Judith Howarth, Jamie Laredo, Scottish Chamber Orchestra | E Major | 0 | 12B | 151 BPM | ||
| Don Quixote, Act III: Dream of Don Quixote | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Ritter Pásmán, Op. 441: Csárdás | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | B Minor | 2 | 10A | 167 BPM | ||
| Unter der Enns - Polka Op. 121 | Eduard Strauss, Hallé, Bramwell Tovey | D Major | 4 | 10B | 153 BPM | ||
| Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
| Les Sylphides: 1. Prélude | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 99 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March] | Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
| Giselle, Act 2: No. 18 Giselle and Albrecht Pas de deux | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Romeo and Juliet, Op. 64 (Excerpts): Death of Juliet | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 75 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM |