"Faure, Requiem 4, Pie Jesu" by Charles Roland Berry, Gabriel Fauré, Philharmonia La Seine had its release date on July 28, 2021. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Faure, Requiem 4, Pie Jesu's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Opera Delight, Set 3". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Based on our statistics, Faure, Requiem 4, Pie Jesu's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Faure, Requiem 4, Pie Jesu by Charles Roland Berry, Gabriel Fauré, Philharmonia La Seine having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Fiocco - Allegro | Joseph-Hector Fiocco, Steven Staryk | G Major | 3 | 9B | 98 BPM | ||
| Stanley / Arr. Defaye: 10 Voluntaries, Op. 6: No. 5, Trumpet Tune in D Major | John Stanley, Maurice André, Jane Parker-Smith | D♭ Minor | 1 | 12A | 100 BPM | ||
| Allegro (Concierto Para Mandolina Do Mayor) | Cámara de la Escala De Milan | B Major | 4 | 1B | 83 BPM | ||
| Lieder und Gesänge für Orchester in E-Flat Major, Op. 49: No. 4, Wiegenlied | Slovak Philharmonic, Bohdan Warchal | F Major | 1 | 7B | 62 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Minor | 1 | 7A | 97 BPM | ||
| Violin Sonata No. 5 In F Major, Op. 24, "Spring": II. Adagio Molto Espressivo | Ludwig van Beethoven, Jenő Jandó, Takako Nishizaki | B♭ Major | 0 | 6B | 81 BPM | ||
| Canon and Gigue in D Major, P. 37: I. Canon | Johann Pachelbel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Major | 2 | 10B | 113 BPM | ||
| Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | ||
| Poco Adagio (4e Symphonie, 3e Movement) | José van Dam | G Major | 1 | 9B | 173 BPM | ||
| Valse triste, Op. 44, No. 1 (From "Kuolema") | Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 1 | 3B | 60 BPM | ||
| Sleep & Chill | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
| My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | ||
| Canon & Guige D Major | London Concert Orchestra | B Minor | 1 | 10A | 86 BPM | ||
| Song of Shadows | Paolo MIllon, Neon Lilith, Barbara Norbert | D Major | 3 | 10B | 144 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, Taverner Players, Andrew Parrott | D♭ Major | 1 | 3B | 66 BPM | ||
| Bach - Gounod: Ave Maria | Maria And Dimitrinka Tuturilova | C Major | 2 | 8B | 158 BPM | ||
| String Quartet No. 14 "Galactic Troubadour": IV. Io's Daughters | Charles Roland Berry, Nexus Quartet | C Major | 1 | 8B | 70 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Orchestra) | Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 1 | 9B | 84 BPM | ||
| "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
| Canon & Gigue in D Major, P. 37: Canon | Johann Pachelbel, Musica Antiqua, Mary Jane Newman | D Major | 0 | 10B | 97 BPM | ||
| Konzert für Oboe c-Moll (nach D. Cimarosa): I. Introduzione. Larghetto | Arthur Benjamin, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub | D Major | 4 | 10B | 134 BPM |