On January 22, 1944, the song "A Closer Walk with Thee" was released by Bunk Johnson. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. A Closer Walk with Thee's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bunk Johnson's "Hurting the Beloved One" album is number 12 out of 12. On top of that, Germany appears to be the country where this track was created. In terms of popularity, A Closer Walk with Thee is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of A Closer Walk with Thee by Bunk Johnson to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sophisticated Jump (03-29-40) | Al Cooper | F♯ Minor | 3 | 11A | 156 BPM | ||
| Harlem Shout | Jimmie Lunceford & His Orchestra | C Minor | 4 | 5A | 109 BPM | ||
| Western (Moten) Swing (A.K.A. Moten Swing) | Carolina Cotton Pickers | B♭ Major | 5 | 6B | 110 BPM | ||
| Ils sont zazous | Aime Barelli | F Major | 6 | 7B | 188 BPM | ||
| Tiger Rag - 1992 Remastered | Original Dixieland Jazz Band, Nick LaRocca | E♭ Major | 5 | 5B | 125 BPM | ||
| 24 Robbers | Dean Mora & Rusty's Rhythm Rascals | C Major | 3 | 8B | 99 BPM | ||
| Blues for Jimmy Noone | Kid Ory's Creole Jazz Band | B Major | 4 | 1B | 131 BPM | ||
| Sugar Blues (feat. Buck Clayton & Don Byas) - 78rpm Version | Count Basie & His All American Rhythm Section, Buck Clayton, Don Byas | C Major | 0 | 8B | 80 BPM | ||
| Christopher Columbus | Fletcher Henderson | F♯ Minor | 3 | 11A | 171 BPM | ||
| Camp Meeting Blues | Evan Arntzen | E♭ Major | 2 | 5B | 107 BPM | ||
| Bill Bailey, Won't You Please come Home | Kid Ory | B Minor | 6 | 10A | 208 BPM | ||
| The Gal From Joe's | Charlie Barnet | E♭ Major | 6 | 5B | 92 BPM | ||
| Jelly Roll Blues | Lu Watters Yerba Buena Jazz Band | B♭ Major | 6 | 6B | 166 BPM | ||
| Baby, Won't You Please Come Home | Jimmie Lunceford | F Major | 4 | 7B | 171 BPM | ||
| Back Room Romp | Rex Stewart & His Fifty-Second Street Stompers | A♭ Major | 3 | 4B | 153 BPM | ||
| Hot Heels | Eddie Lang and His Orchestra | D Minor | 4 | 7A | 153 BPM | ||
| Three Little Words | Bud Freeman | C Major | 5 | 8B | 180 BPM | ||
| Come Back, Sweet Papa | Louis Armstrong & His Hot Five | C Major | 3 | 8B | 100 BPM | ||
| Going Out The Back Way | Johnny Hodges & His Orchestra | B♭ Minor | 3 | 3A | 154 BPM | ||
| Troubled | Bunny Berigan | E Minor | 6 | 9A | 95 BPM | ||
| Some Sunny Day | Eddie Condon | A♭ Minor | 3 | 1A | 160 BPM | ||
| Careless Love | George Lewis | E♭ Major | 3 | 5B | 105 BPM | ||
| Muskrat Ramble | Kid Ory's Creole Jazz Band | A♭ Major | 6 | 4B | 105 BPM | ||
| Way Down South - Remastered | Kid Ory | A♭ Major | 4 | 4B | 144 BPM | ||
| Everybody's Talking About Sammy | Sam Morgan's Jazz Band | C Major | 3 | 8B | 156 BPM |