Simon Chamberlain's ' "A Friendly Face" was released on its scheduled release date, October 24, 1997. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. A Friendly Face's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Theme Machine". In this album, this song's track order is #13. Based on our statistics, A Friendly Face's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With A Friendly Face by Simon Chamberlain having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trixie and Matthew's Engagement | Maurizio Malagnini | A Minor | 3 | 8A | 150 BPM | ||
| Dishes Are Never a Chore | Mark McKenzie | G Major | 1 | 9B | 69 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| Leaving Netherfield - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | C Minor | 1 | 5A | 104 BPM | ||
| The Diner | Jerry Goldsmith | D Minor | 4 | 7A | 160 BPM | ||
| Moonlight Kiss | Jon Adamich | A Minor | 7 | 8A | 58 BPM | ||
| Poor Miss Taylor | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 101 BPM | ||
| No Regrets | Ari Posner, Amin Bhatia | G Major | 1 | 9B | 84 BPM | ||
| Singing Montage | Kurt Bestor | F Major | 2 | 7B | 72 BPM | ||
| Manhattan Blue | Simon Chamberlain | E Minor | 0 | 9A | 71 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Juliet's Theme | Debbie Wiseman | C Major | 1 | 8B | 95 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| A River Runs Through It | Mark Isham | G Major | 4 | 9B | 133 BPM | ||
| Ella and Kit | Patrick Doyle | D Major | 0 | 10B | 78 BPM | ||
| God's Country | Edward Farmer, Martin Phipps | G Major | 3 | 9B | 78 BPM | ||
| Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry, John Debney, Royal Scottish National Orchestra | D♭ Major | 1 | 3B | 128 BPM | ||
| The Pursuit of Excellence | Simon Chamberlain, David Arch | F♯ Minor | 9 | 11A | 136 BPM | ||
| Homeward Bound | William Joseph | E♭ Major | 1 | 5B | 120 BPM | ||
| The Letter | Stuart Earl | G Minor | 1 | 6A | 100 BPM | ||
| We'll Be #1 | William Ross | B♭ Major | 1 | 6B | 122 BPM | ||
| End Credits - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 67 BPM | ||
| La La Lu | Christy Nockels | D♭ Major | 2 | 3B | 78 BPM | ||
| Once Upon a Time in Paris | Clémentine Charuel | E Minor | 0 | 9A | 70 BPM | ||
| Little Women - from "Little Women" Soundtrack | Alexandre Desplat | C Major | 3 | 8B | 156 BPM |