Clockwork Orange Music's 'The Eighties Are Calling' had a release date set for February 4, 2019. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. The Eighties Are Calling's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Retro Synthwave". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Eighties Are Calling is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With The Eighties Are Calling by Clockwork Orange Music having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Exclusividad | Formas Correctas | G Major | 2 | 9B | 57 BPM | ||
| The Last Ascent | David Buckley | G Major | 4 | 9B | 100 BPM | ||
| Spellbound Sky | Clockwork Orange Music | C Major | 3 | 8B | 180 BPM | ||
| El Duro | BLOW | D♭ Minor | 0 | 12A | 120 BPM | ||
| Floating Horizons (feat. Joachim Tospann) | Moritz Bintig, Joachim Tospann | C Major | 2 | 8B | 73 BPM | ||
| When You Hold Me | Lumeira | G Minor | 4 | 6A | 127 BPM | ||
| Golden Field | Paloma Ivoma | B♭ Minor | 0 | 3A | 130 BPM | ||
| Earth Can Wait | Philip Ayers | G Minor | 3 | 6A | 88 BPM | ||
| Pure Forest | Velia Korr | D♭ Minor | 2 | 12A | 136 BPM | ||
| Rescates | Formas Correctas | F Minor | 1 | 4A | 120 BPM | ||
| Layered calm within soft distortion | Ossan Blueframe Lighty | G Major | 4 | 9B | 100 BPM | ||
| Uncertainty | Jambeet | E♭ Major | 8 | 5B | 85 BPM | ||
| Horizon | gregremaxx | B♭ Major | 8 | 6B | 102 BPM | ||
| Brave | Audioshine | B♭ Minor | 2 | 3A | 113 BPM | ||
| My Left Hand | Anahata Vibe | A Major | 2 | 11B | 135 BPM | ||
| L’Antica Pesa | Paolo Buonvino | G Major | 4 | 9B | 100 BPM | ||
| COCHE NUEVO | PYTON MAT | G Major | 4 | 9B | 100 BPM | ||
| Macabre Masquerade | Clockwork Orange Music | B Major | 4 | 1B | 107 BPM | ||
| Una Mala Tarde | Falsas Alarmas | B♭ Minor | 1 | 3A | 100 BPM | ||
| Whisper of a Waterfall | Tofiq Mikayilzade, Ted Boyarskiy | F♯ Major | 3 | 2B | 177 BPM | ||
| Celebrate the Good Times | Clockwork Orange Music | C Major | 7 | 8B | 100 BPM | ||
| Sigue Durmiendo | Formas Correctas | C Major | 1 | 8B | 134 BPM | ||
| Redshift | Far Far Away | G Major | 4 | 9B | 100 BPM | ||
| Sweet Up Lounge | Clockwork Orange Music | F♯ Major | 3 | 2B | 91 BPM | ||
| Responsibility | DJ MAH Michael Andreas | F♯ Major | 5 | 2B | 142 BPM |