Rachel Portman, Michael Brook's 'Come Home With Me' had a release date set for 2012. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Come Home With Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Vow (Original Motion Picture Score)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Come Home With Me is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come Home With Me by Rachel Portman, Michael Brook having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Cider House (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 88 BPM | ||
| Saddest Part Of Day | Craig Armstrong | C Major | 1 | 8B | 110 BPM | ||
| If I Know A Song Of Africa (Karen's Theme III) | John Barry | D Minor | 0 | 7A | 81 BPM | ||
| Lucy Meets Mr. Tumnus | Harry Gregson-Williams | F Major | 0 | 7B | 92 BPM | ||
| Brideshead Revisited: No. 6, Arcadia | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F Major | 1 | 7B | 84 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| Theme - From "Emma" | Rachel Portman | G Major | 1 | 9B | 92 BPM | ||
| Simple Harp Variation No. 1 | Martin Phipps | A♭ Minor | 1 | 1A | 101 BPM | ||
| Distant Lives (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E♭ Major | 0 | 5B | 55 BPM | ||
| Throw The Coins - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | F Major | 1 | 7B | 70 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
| Journey of the King Fish | BBC Concert Orchestra, Sarah Class | B Major | 6 | 1B | 87 BPM | ||
| Oak Returns | Craig Armstrong | C Major | 1 | 8B | 68 BPM | ||
| The Slea Head Cliffs | Randy Edelman | A Major | 2 | 11B | 96 BPM | ||
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Viva Voce | Jóhann Jóhannsson | C Major | 1 | 8B | 87 BPM | ||
| Le secret | Philippe Rombi | D Minor | 1 | 7A | 172 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Harry in Winter | Patrick Doyle | B Minor | 2 | 10A | 110 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| Combe Magna - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | D Minor | 2 | 7A | 127 BPM |