Raúl Berón's ' "Tomo y Obligo" was released on its scheduled release date, November 20, 2014. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Tomo y Obligo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in Canta by Raúl Berón. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Tomo y Obligo is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Tomo y Obligo by Raúl Berón is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trasnochando | Miguel Calo, Raul Beron | D Minor | 1 | 7A | 124 BPM | ||
| Por " h " o por " b " | Orquesta Francini - Pontier, Raul Beron | D Major | 2 | 10B | 124 BPM | ||
| Tigre Viejo | Osvaldo Fresedo | C Major | 3 | 8B | 120 BPM | ||
| Saludos | Orquesta Típica Sans Souci | D Major | 3 | 10B | 123 BPM | ||
| Fumando Espero | Roberto Florio, Orquesta Carlos di Sarli | G Minor | 4 | 6A | 102 BPM | ||
| El Abrojito | La Auténtica Milonguera | D Major | 3 | 10B | 142 BPM | ||
| La trampera | Quinteto Pirincho | D Major | 3 | 10B | 111 BPM | ||
| Derecho Viejo | La Juan D'Arienzo | F Minor | 4 | 4A | 135 BPM | ||
| El Ultimo Cafe | Orquesta De Juan Darienzo, Jorge Valdez | G Major | 4 | 9B | 122 BPM | ||
| Si nos queremos todavia | Orquesta Carlos di Sarli, Jorge Durán | C Minor | 3 | 5A | 126 BPM | ||
| Ahora No Me Conoces | Angel D'Agostino Y Su Orquesta Típica | A Minor | 1 | 8A | 125 BPM | ||
| Reliquias Porteñas | Francisco Canaro Y Su Orquesta | A Major | 4 | 11B | 128 BPM | ||
| Tu pálida voz | Orquesta Color Tango De Roberto Alvarez | D Minor | 4 | 7A | 182 BPM | ||
| Ojos negros | Florindo Sassone Y Su Orquesta | E Minor | 4 | 9A | 119 BPM | ||
| Pena de Amor | Lucio Demare, Raúl Berón | F♯ Minor | 2 | 11A | 121 BPM | ||
| Si Yo Pudiera Comprender | Orquesta Típica Sans Souci, Emiliano Castignola | C Minor | 3 | 5A | 123 BPM | ||
| La Serenata de Ayer | Juan D'Arienzo and his Orchestra, Héctor Mauré | D Major | 5 | 10B | 112 BPM | ||
| Palomita mia | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 122 BPM | ||
| Amarras | Juan D'Arienzo, Héctor Mauré | C Major | 3 | 8B | 120 BPM | ||
| Mi dolor | Hyperion Ensemble, Ruben Peloni | D Minor | 4 | 7A | 138 BPM | ||
| La Abandoné y No Sabía | Raúl Berón | E Minor | 2 | 9A | 124 BPM | ||
| Trenzas | Orquesta Típica Sans Souci, Emiliano Castignola | G Minor | 3 | 6A | 127 BPM | ||
| Y Todavia Te Quiero | Carlos Di Sarli, Roberto Florio | B Minor | 3 | 10A | 108 BPM | ||
| Noches De Invierno | Orquesta Tipica Victor | G Minor | 3 | 6A | 183 BPM | ||
| Recuerdo | Alberto Castillo | C Major | 3 | 8B | 120 BPM |