Johann Sebastian Bach, Gianluca Luisi's 'VI. Menuet I da capo' had a release date set for June 15, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 43 in Bach: French Suites, BWV 812-817 by Johann Sebastian Bach, Gianluca Luisi. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. VI. Menuet I da capo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of VI. Menuet I da capo by Johann Sebastian Bach, Gianluca Luisi is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.12 in F minor BWV881 | Daniel Barenboim | F Minor | 0 | 4A | 135 BPM | ||
| Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | C Major | 0 | 8B | 108 BPM | ||
| The Conference | Bernard Herrmann | A Major | 1 | 11B | 145 BPM | ||
| Kinderszenen, Op. 15: XIII. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
| Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: VIId. Double 3 | Jean-Philippe Rameau, Angela Hewitt | A Minor | 2 | 8A | 109 BPM | ||
| Suite No. 7 in D Minor, Z. 668: I. Allemande - Live | Henry Purcell, Grigory Sokolov | D Minor | 0 | 7A | 78 BPM | ||
| Easter Sonata: II. Largo e molto espresso – Poco più mosso | Fanny Mendelssohn, Isata Kanneh-Mason | E Minor | 0 | 9A | 95 BPM | ||
| Sonatina in G: I. Allegro | Ben Quine | C Major | 1 | 8B | 168 BPM | ||
| 8 Variations on "Laat ons juichen" by C.E. Graaf in G, K.24: 4. Variation III | Wolfgang Amadeus Mozart, Danielle Laval | C Major | 3 | 8B | 80 BPM | ||
| Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | ||
| Violin Sonata in A Major, K. 402: II. Fuga. Allegro moderato (Compl. Stadler) | Wolfgang Amadeus Mozart, Cédric Tiberghien, Alina Ibragimova | A Major | 1 | 11B | 109 BPM | ||
| Suite on Romanian Themes IV. Danza for Marimba, Vibraphone & Piano | Maya Badian, Mircea Badian | B♭ Minor | 4 | 3A | 132 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 3b, Fugue in G Major | Dmitri Shostakovich, Sofia Sacco | G Major | 2 | 9B | 184 BPM | ||
| 24 Preludes and Fugues Op. 87: No. 3, in G Major: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | A Minor | 3 | 8A | 156 BPM | ||
| Menus Propos Enfantins - III. Valse Du Chocolat Aux Amandes | Mu Dimon, Songs of Birdland | C Major | 1 | 8B | 170 BPM | ||
| Sinussa, Kristus, luotiin kerran | Georg Neumark, SRK Instrumentaali, Aaron Ahola | F♯ Major | 0 | 2B | 182 BPM | ||
| Suite en Sol Majeur, RCT 6: I. Les tricotets (Rondeau) | Jean-Philippe Rameau, Alexandre Tharaud | G Major | 1 | 9B | 65 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XIII. Quasi adagio | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Minor | 0 | 6A | 97 BPM | ||
| Música callada I: No. 8, Semplice | Federico Mompou, Stephen Hough | G Major | 0 | 9B | 70 BPM | ||
| The Art of Fugue, BWV 1080: Contrapunctus III | Johann Sebastian Bach, Tatiana Nikolayeva | D Minor | 0 | 7A | 66 BPM | ||
| Scarlatti: Keyboard Sonata in D Minor, Kk. 77 | Domenico Scarlatti, Georges Pludermacher | D Minor | 1 | 7A | 138 BPM | ||
| Sinfonia No. 10 in G Major, BWV 796 (1) | Johann Sebastian Bach, Maurizio Zaccaria | D Minor | 1 | 7A | 82 BPM | ||
| Troisième suite: I. Le coucou (Rondeau) | Louis-Claude Daquin, Dinara Klinton | B Minor | 5 | 10A | 82 BPM | ||
| Suite No. 2 in G Minor, Z. 661: III. Courante - Live | Henry Purcell, Grigory Sokolov | B♭ Major | 0 | 6B | 123 BPM |