"The Tain, Pt. III" by The Decemberists had its release date on March 29, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "The Tain". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Spain. The Tain, Pt. III is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Tain, Pt. III by The Decemberists having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For Real | Okkervil River | D Major | 6 | 10B | 105 BPM | ||
| Hundreds of Ways | Conor Oberst | A Major | 8 | 11B | 99 BPM | ||
| Broken Yolk in Western Sky | Benjamin Gibbard | D Major | 1 | 10B | 88 BPM | ||
| Brother | Murder By Death | G Major | 8 | 9B | 109 BPM | ||
| Red Right Ankle | Colin Meloy | F♯ Minor | 9 | 11A | 114 BPM | ||
| No Hell | Cloud Cult | D Major | 3 | 10B | 130 BPM | ||
| Nothing Better | The Postal Service | D Major | 7 | 10B | 135 BPM | ||
| One Fast Move or I'm Gone | Jay Farrar, Benjamin Gibbard | B♭ Major | 4 | 6B | 113 BPM | ||
| I'm Writing a Novel | Father John Misty | B♭ Major | 9 | 6B | 165 BPM | ||
| Am I Not Right? | Tarkio | G Major | 8 | 9B | 127 BPM | ||
| Ladder to the Sun | Saintseneca | A♭ Major | 9 | 4B | 133 BPM | ||
| The Monitor | Bishop Allen | C Major | 4 | 8B | 116 BPM | ||
| No Hard Feelings | The Avett Brothers | F Major | 3 | 7B | 142 BPM | ||
| Exodus Damage | John Vanderslice | F♯ Minor | 6 | 11A | 132 BPM | ||
| Sing Me Spanish Techno | The New Pornographers | A Major | 9 | 11B | 129 BPM | ||
| Our Swords | Band of Horses | B Major | 8 | 1B | 107 BPM | ||
| When Water Comes to Life | Cloud Cult | C Major | 6 | 8B | 141 BPM | ||
| Ragged Wood | Fleet Foxes | E Major | 7 | 12B | 104 BPM | ||
| The Charging Sky | Jenny Lewis, The Watson Twins | C Major | 8 | 8B | 130 BPM | ||
| Night Windows | The Weakerthans | C Major | 7 | 8B | 112 BPM | ||
| The New Year | Death Cab for Cutie | C Minor | 7 | 5A | 124 BPM | ||
| Your Protector | Fleet Foxes | E Minor | 5 | 9A | 100 BPM | ||
| At the Bottom of Everything | Bright Eyes | C Major | 5 | 8B | 106 BPM | ||
| Lady Adelaide | Benjamin Gibbard | G Major | 8 | 9B | 108 BPM | ||
| Anything You Want | Spoon | E Major | 6 | 12B | 106 BPM |