Jay Howie's 'The Dark End Of The Street' had a release date set for December 23, 2021. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of You've Never Heard It Like This!, Vol. 3 by Jay Howie. The song's track number on the album is #9 out of 12 tracks. Based on our statistics, The Dark End Of The Street's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Dark End Of The Street by Jay Howie has a tempo of 145 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Dark End Of The Street being at 145 BPM, the half-time would be 72 BPM with a double-time of 290 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Badlands | Trampled Under Foot | G Minor | 6 | 6A | 106 BPM | ||
| Joe's Place | Bernie Marsden | B Minor | 8 | 10A | 91 BPM | ||
| The Question | Henrik Freischlader | B♭ Major | 6 | 6B | 113 BPM | ||
| Blue Rain In Africa | Otis Taylor, Mato Nanji | D Major | 2 | 10B | 91 BPM | ||
| Fly Free | Kajsa Vala, Mike Andersen | B♭ Minor | 4 | 3A | 89 BPM | ||
| Never Gonna Be the Same | Davy Knowles | E Minor | 5 | 9A | 89 BPM | ||
| Somewhere | Tommy Castro | A Major | 6 | 11B | 104 BPM | ||
| Black Angel Eyes | Sacco & Mancetti | C Major | 5 | 8B | 130 BPM | ||
| There Was A Place | The Rides | F♯ Minor | 5 | 11A | 138 BPM | ||
| Razor in My Pocket | Shelby Street Blues | D Minor | 4 | 7A | 128 BPM | ||
| Canyon Moon | Outlaw Algorithm | D Major | 5 | 10B | 177 BPM | ||
| Highway Blues | Noah Beatz | F♯ Minor | 6 | 11A | 126 BPM | ||
| Devil's Bride | The Bluesbones | A♭ Minor | 6 | 1A | 125 BPM | ||
| Ashes in My Wake | Jacky | A Minor | 5 | 8A | 94 BPM | ||
| Midnight Rain Keeps Fallin | Blues Man | B Minor | 3 | 10A | 172 BPM | ||
| Beautiful and Dangerous | Lloyd Spiegel | D Major | 6 | 10B | 91 BPM | ||
| Demolition Man | Sari Schorr | G Major | 7 | 9B | 87 BPM | ||
| The Question Why | Ben Poole | D♭ Major | 4 | 3B | 120 BPM | ||
| Don't Bury Our Love | Tinsley Ellis | B Minor | 4 | 10A | 138 BPM | ||
| Gambler's Roll | Stevie Nimmo | G Major | 9 | 9B | 106 BPM | ||
| Empty City | John Haydock | D♭ Major | 8 | 3B | 110 BPM | ||
| Stompin' Ground | Dave Hole | E Minor | 7 | 9A | 81 BPM | ||
| Hard Again | Walk That Walk | G Major | 7 | 9B | 174 BPM | ||
| Obsidian Confessions | Flaherty Brotherhood | D Minor | 4 | 7A | 148 BPM | ||
| Sippi Dupree | HeavyDrunk | A Major | 6 | 11B | 168 BPM |