"II. Fugue" by Guillaume-Gabriel Nivers, Daniel Roth had its release date on April 14, 2001. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Daniel Roth's "Great European Organs, Vol. 64: Saint-Sulpice, Paris" album is number 2 out of 21. On top of that, United Kingdom appears to be the country where this track was created. II. Fugue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Fugue by Guillaume-Gabriel Nivers, Daniel Roth to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Svetilen of Easter | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 97 BPM | ||
| Missa pro Quadragesima, MH 551: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Ad Matutinum: Lectio. Et satis est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | F Major | 3 | 7B | 137 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
| Passus Sacrosanctus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F Major | 0 | 7B | 72 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Polyeleopsalmi (Kiitäkää Herran nimeä) | P. Ivanov, Tampere Orthodox Choir, Johtajana Risto Matsi | G Major | 0 | 9B | 130 BPM | ||
| Templum Secretum | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | C Minor | 0 | 5A | 75 BPM | ||
| Canticum Mane Benedictionis | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Minor | 1 | 7A | 92 BPM | ||
| Kyrie XIV | Abbaye Saint-Joseph de Flavigny | A Minor | 2 | 8A | 112 BPM | ||
| Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
| Херувимска песма | Хор при Храму Св. Архангела Михаила | F♯ Major | 2 | 2B | 108 BPM | ||
| Hymnus an Aton | Radoslaw Pallarz, Ensemble Memoria Tenere | G Minor | 0 | 6A | 72 BPM | ||
| Ad Matutinum: Responsorium. Qui Deus Magnus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Spiritual 432Hz Orthodox Chant | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Sacred Concerto No. 4, "Make a joyful noise unto the Lord": II. All the earth shall worship thee | Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky | A Major | 0 | 11B | 120 BPM | ||
| O Ignis Spiritus | Rosa Lamoreaux | C Major | 0 | 8B | 75 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Sancta et Immaculata Virginitas | Traditional chant, Kloster Maria Engelport | F Major | 2 | 7B | 135 BPM | ||
| Idiómelon from Matins for the Sunday of the Pharisee and the Publican (Arr. I. Arvanitis) | Kassianí, Alexander Lingas, Cappella Romana | F Major | 2 | 7B | 140 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM | ||
| Second salut: II. Beata es Maria | Guillaume-Gabriel Nivers, Emmanuel Mandrin, Les Demoiselles De Saint-Cyr | F♯ Minor | 0 | 11A | 123 BPM |