"Out The Window" by Jerry Goldsmith had its release date on 1997. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jerry Goldsmith's "L.A. Confidential (Original Motion Picture Score / Deluxe Edition)" album is number 23 out of 39. On top of that, United States appears to be the country where this track was created. In terms of popularity, Out The Window is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Out The Window by Jerry Goldsmith to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Way to Love You | Silviu Michaels, Sade | C Major | 3 | 8B | 110 BPM | ||
| The Future Is Mine | Laz Ukpo | E♭ Minor | 1 | 2A | 90 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Loved Ones and Leaving | Nicholas Hooper | D Major | 1 | 10B | 90 BPM | ||
| The Never-Feast | John Williams | A♭ Minor | 1 | 1A | 96 BPM | ||
| The End Titles | Angela Morley | C Major | 1 | 8B | 114 BPM | ||
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| Pain, Loss & Love | Rupert Gregson-Williams | F Major | 0 | 7B | 85 BPM | ||
| To Lead | Mark Isham | D Major | 3 | 10B | 86 BPM | ||
| The Final Game / Take Me Out to the Ball Game | Randy Newman | F Major | 1 | 7B | 111 BPM | ||
| Airport (Main Title) | Alfred Newman | C Minor | 4 | 5A | 89 BPM | ||
| Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
| Espiritu Esa Ala | David Hirschfelder | C Major | 5 | 8B | 98 BPM | ||
| Assassination - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Major | 0 | 9B | 68 BPM | ||
| Introduction (Titles) | Danny Elfman | F Minor | 2 | 4A | 115 BPM | ||
| The Caravan | Jerry Goldsmith | A♭ Major | 2 | 4B | 132 BPM | ||
| The Flight To Neverland - From "Hook" | John Williams, London Symphony Orchestra, Gavin Greenaway | C Major | 4 | 8B | 75 BPM | ||
| Discoveries - From “The Mummy” Soundtrack | Jerry Goldsmith | B♭ Minor | 0 | 3A | 109 BPM | ||
| Star Trek VI Suite - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Major | 3 | 8B | 70 BPM | ||
| Main Title | Jerry Goldsmith | A♭ Major | 0 | 4B | 120 BPM | ||
| Camelot | Jerry Goldsmith | F Major | 0 | 7B | 139 BPM | ||
| Logo-Bakersfield - Full-Length Version | Harold Faltermeyer | E Major | 4 | 12B | 129 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Body Heat | Harald Kloser | A Minor | 1 | 8A | 83 BPM |