Matt Cline, Ray Stevens's ' "Come To The U.S.A. (feat. Ray Stevens)" was released on its scheduled release date, July 4, 2012. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Welcome to My Party by Matt Cline. The song's track number on the album is #2 out of 17 tracks. The popularity of Come To The U.S.A. (feat. Ray Stevens) is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Come To The U.S.A. (feat. Ray Stevens) by Matt Cline, Ray Stevens has a tempo of 180 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Come To The U.S.A. (feat. Ray Stevens) being at 180 BPM, the half-time would be 90 BPM with a double-time of 360 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hardhat | Nate Venturelli | G Major | 3 | 9B | 131 BPM | ||
| Poor Me | Joe Diffie | B♭ Major | 7 | 6B | 98 BPM | ||
| This Cowboy's Hat | Chris LeDoux | F♯ Minor | 3 | 11A | 90 BPM | ||
| Bill Monroe For Breakfast | Tom T. Hall | A Major | 3 | 11B | 79 BPM | ||
| Ponies in Heaven | Gypsy Cowboys | A Major | 4 | 11B | 146 BPM | ||
| The Cowboy Song | Todd Fritsch | D Major | 2 | 10B | 80 BPM | ||
| Hurricane Deck | Randy Huston | D♭ Minor | 7 | 12A | 93 BPM | ||
| Dry Creek | Owen Temple | E Major | 7 | 12B | 97 BPM | ||
| Texas Top Hand | Don Walser | A♭ Major | 5 | 4B | 126 BPM | ||
| Shinin' On Me | Jerrod Niemann | G Major | 8 | 9B | 84 BPM | ||
| Where I Come From | Alan Jackson | B Major | 7 | 1B | 121 BPM | ||
| Hot Rod Lincoln | Asleep At The Wheel | E Major | 6 | 12B | 123 BPM | ||
| Half Your Age | Kid Rock | E Major | 6 | 12B | 130 BPM | ||
| Another Like You | Hayes Carll | C Major | 8 | 8B | 111 BPM | ||
| Tall Drink Of Water | Mel Tillis | A Major | 5 | 11B | 107 BPM | ||
| Drinkin' With Me | Jon Pardi | D Major | 10 | 10B | 163 BPM | ||
| The Vampire Club | Aurelio Voltaire | F Major | 8 | 7B | 86 BPM | ||
| Crazy | Creed Fisher | B Minor | 9 | 10A | 130 BPM | ||
| I'm Growing Older But I'm Not Growing Up | Creed Fisher | B Minor | 9 | 10A | 100 BPM | ||
| Blow Em' All Away | Biker Joe Warren | B Major | 4 | 1B | 139 BPM | ||
| Diesel Driving Daddy | Aaron Watson | A Major | 7 | 11B | 131 BPM | ||
| Greasy Rider (feat. Matt Dame) | Matt Cline, Matt Dame | E Major | 9 | 12B | 113 BPM | ||
| The Ambler Saddle | Ian Tyson | E Minor | 5 | 9A | 86 BPM | ||
| Ten Seconds In The Saddle | Chris LeDoux | C Major | 6 | 8B | 104 BPM | ||
| Honky-Tonk Superman | Aaron Tippin | E Major | 7 | 12B | 128 BPM |