Come To The U.S.A. (feat. Ray Stevens)
Matt Cline, Ray Stevens
Welcome to My Party
3:48 July 4, 2012
BPM
180
Key
D Major
Camelot
10B

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Come To The U.S.A. (feat. Ray Stevens) by Matt Cline, Ray Stevens Song Details

Matt Cline, Ray Stevens's ' "Come To The U.S.A. (feat. Ray Stevens)" was released on its scheduled release date, July 4, 2012. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Welcome to My Party by Matt Cline. The song's track number on the album is #2 out of 17 tracks. The popularity of Come To The U.S.A. (feat. Ray Stevens) is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

Since Come To The U.S.A. (feat. Ray Stevens) by Matt Cline, Ray Stevens has a tempo of 180 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Come To The U.S.A. (feat. Ray Stevens) being at 180 BPM, the half-time would be 90 BPM with a double-time of 360 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-9.924 dB
Acousticness
41%
Danceability
59%
Energy
44%
Instrumentalness
0%
Liveness
17%
Loudness
83%
Speechiness
7%
Valence
70%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records