Bhakta Raj Acharya's ' "Hajar Sapanaharu" was released on its scheduled release date, July 14, 2001. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The track order of this song in Bhakta Raj Acharya's "Hajar Sapana" album is number 9 out of 12. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Hajar Sapanaharu's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Hajar Sapanaharu by Bhakta Raj Acharya to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ye Kanchha Thaitai Ma | Narayan Gopal, Taradevi | B♭ Minor | 3 | 3A | 108 BPM | ||
| Aankhama Kehi Asha | Shila Bahadur Moktan, Bhakta Raj Acharya | C Major | 5 | 8B | 99 BPM | ||
| Chhin Chhin Ma Hasna | Uday Sotang | A Major | 6 | 11B | 146 BPM | ||
| Marna Baru Garho Hunna | Phatteman | C Major | 4 | 8B | 133 BPM | ||
| Ma mauntama (original) | Om Bikram Bista | D Major | 9 | 10B | 144 BPM | ||
| Bachan Tode | Ram Krishna Dhakal | F Major | 7 | 7B | 76 BPM | ||
| Rituharuma Timi | Ram Thapa, Arun Thapa | B♭ Minor | 7 | 3A | 123 BPM | ||
| Dhardhari Bagne | Jhalakman Gandharva | E♭ Minor | 5 | 2A | 126 BPM | ||
| Nisthuri Mayalu | Shila Bahadur Moktan, Kunti Moktan | F♯ Major | 5 | 2B | 85 BPM | ||
| Saba Nidaye Prabhu | Bhakta Raj Acharya | F Minor | 6 | 4A | 130 BPM | ||
| Aadhi Bato Hindepachhi | Manila Sotang (Lama), Uday Shotang | A♭ Minor | 6 | 1A | 102 BPM | ||
| I Love You | Anil Singh | E Major | 6 | 12B | 80 BPM | ||
| Parkhai | Pratik Gurung | F Major | 5 | 7B | 156 BPM | ||
| Sanu Ma | Prem Lama | C Major | 5 | 8B | 120 BPM | ||
| Chari Udyo Badal Chhunalai | Sad Rose Band | D Major | 4 | 10B | 154 BPM | ||
| Aakha Haru Sita Maile | Aruna Lama | F♯ Minor | 2 | 11A | 101 BPM | ||
| Dherai Barsha Paxi | Yash Kumar | G Major | 3 | 9B | 101 BPM | ||
| Dueta Phul Deuralima | Narayan Gopal | D♭ Major | 3 | 3B | 64 BPM | ||
| Maya Ko Bato | Sugam Pokharel | D Major | 8 | 10B | 146 BPM | ||
| Tara Matra Hoina | Premdhoj Pradhan | D♭ Major | 5 | 3B | 61 BPM | ||
| Himal Sari | Narayan Gopal, Aruna Lama | E Major | 4 | 12B | 72 BPM | ||
| Isarale Bolaunu | Bhupinder Singh, Deepa jha | A♭ Major | 8 | 4B | 102 BPM | ||
| Resham | Amrit Gurung-nepathya | F♯ Minor | 6 | 11A | 156 BPM | ||
| Naya Sapana | Karma Band | E Major | 5 | 12B | 74 BPM | ||
| Jaya Guru Ganapati | Bhakta Raj Acharya | D Major | 6 | 10B | 73 BPM |