"Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande" by Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel had its release date on January 1, 2002. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 32 in the song's album "Telemann: Sinfonia Spirituosa; String Concertos". In this album, this song's track order is #6. Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) In D Major TWV 55:D6, For Viola Da Gamba, Strings And Basso Continuo: 3. Sarabande by Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
| Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
| Passacaglia in G Minor | Andrea Falconieri, Daniel Hope, Lorenza Borrani, Jonathan Cohen, Kristian Bezuidenhout, Hans-Kristian Kjos Sorensen | G Minor | 0 | 6A | 146 BPM | ||
| Telemann: Trumpet Concerto in D Major, TWV 51:D7: III. Grave | Georg Philipp Telemann, Alison Balsom | B♭ Minor | 0 | 3A | 58 BPM | ||
| Messiah: Part 1, Pastoral Symphony (Pifa) | The Sixteen | B Major | 0 | 1B | 86 BPM | ||
| Concert Variations on "Adeste Fideles" | Carlos Salzedo, Xavier De Maistre | B♭ Major | 1 | 6B | 93 BPM | ||
| What Child Is This (Arr. P. Breiner for orchestra) | Anonymous, Nicolaus Esterhazy Sinfonia, Peter Breiner | E Minor | 1 | 9A | 181 BPM | ||
| Messe de minuit pour Noel, H. 9: Kyrie | Marc-Antoine Charpentier, Virgin Consort, Kyler Brown | C Minor | 1 | 5A | 59 BPM | ||
| Torelli / Arr. Tarr: Sonata in D Major, G. 1: I. Andante | Giuseppe Torelli, Alison Balsom, Pavlo Beznosiuk, Academy of Ancient Music | D♭ Major | 1 | 3B | 68 BPM | ||
| Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 12. Chor "Denn es ist uns ein Kind geboren" | George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram, Elmar Schloter, Münchener Bach-Chor | D Major | 4 | 10B | 111 BPM | ||
| Concerto in F Major, S. 234: I. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B Minor | 2 | 10A | 118 BPM | ||
| Fürchtet euch nicht | Johann Michael Bach, Capella Sancti Michaëlis, Ricercar Consort | G Major | 1 | 9B | 137 BPM | ||
| Deck the Hall | Traditional, London Chamber Orchestra, Christopher Warren-Green | C Major | 4 | 8B | 129 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Lautten Compagney, Paul Agnew | F Major | 0 | 7B | 80 BPM | ||
| Away in a Manger - Arr. For String Orchestra | Metamorphose String Orchestra, Pavel Lyubomudrov | E Major | 0 | 12B | 120 BPM | ||
| Cantate Oh Di Betlemme Altera Poverta: Introduzione (Allegro-Pastorale) | Alessandro Scarlatti, Masques, Olivier Fortin | A♭ Major | 0 | 4B | 88 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": I. Vivace - Grave | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | C Minor | 5 | 5A | 146 BPM | ||
| Le Bourgeois Gentilhomme (1670): Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 81 BPM | ||
| Sonata à 7 | Pavel Josef Vejvanovsky, Academy of Ancient Music, Christopher Hogwood | E Major | 5 | 12B | 112 BPM | ||
| Concerto grosso in C Major, Op. 3, No. 12 "Per il santissimo natale": II. Largo | Francesco Onofrio Manfredini, Roland Straumer, Michael Eckoldt, Virtuosi Saxoniae, Ludwig Güttler | A Minor | 0 | 8A | 167 BPM | ||
| Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 3. Vivace | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 129 BPM | ||
| Divertimento in F Major, "Die musikalische Schlittenfahrt" (The Musical Sleigh-ride) | Philip Lane, Leopold Mozart, BBC Concert Orchestra, Barry Wordsworth | F Major | 2 | 7B | 118 BPM | ||
| Paraphrase on "Angels we have heard on High" | Carlos Salzedo, Xavier De Maistre | F Major | 1 | 7B | 120 BPM | ||
| Handel / Arr. Pinnock & Balsom: Oboe Concerto No. 2a in B-Flat Major, HWV 301: I. Adagio | George Frideric Handel, Alison Balsom, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 138 BPM | ||
| Il Est Né Le Divin Enfant | Apollo's Fire | F♯ Major | 1 | 2B | 84 BPM |