On January 1, 2007, the song "Om Sahastra Shirsha Purusha" was released by Ravindra Jain, Sushil. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ravindra Jain's "Krishna Bhajan Vol. 23" album is number 10 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Om Sahastra Shirsha Purusha is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Om Sahastra Shirsha Purusha by Ravindra Jain, Sushil to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dar Chhod Ke Jaaunga Na Maiya | Sonu Nigam | F♯ Major | 4 | 2B | 125 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Jai Jai Ram Jai Shree Ram | Vipin Sachdeva | A Major | 7 | 11B | 74 BPM | ||
| Hum Katha Sunte Ram | Arun | C Major | 7 | 8B | 104 BPM | ||
| Main To Arti Utaroon Re | Usha Mangeshkar | D Minor | 4 | 7A | 155 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Ram Na Milenge Hanuman Ke Bina | Lakhbir Singh Lakkha | G Minor | 7 | 6A | 145 BPM | ||
| Maa Tere Darbar Jhuke Sara Sansar | Mohammed Rafi | G Minor | 4 | 6A | 86 BPM | ||
| Shiv Ka Naam Lo (From "Chal Kaanwariya Shiv Ke Dham") | Sonu Nigam | E♭ Minor | 9 | 2A | 77 BPM | ||
| Taro re Bharoso Amane Bhari | NARAYANSWAMI | F Major | 6 | 7B | 123 BPM | ||
| Mori Maiya Ki Chunari | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Man Tera Mandir Hai - Mata Ka Jagrata | Kavita Paudwal | G Major | 2 | 9B | 71 BPM | ||
| Jagat Musafir Khana | R. D. Burman | C Major | 4 | 8B | 149 BPM | ||
| Pata Nahi Kis Roop Me | Muzic Mantra | E Major | 6 | 12B | 136 BPM | ||
| Radhey Radhey Ki Jap Le Tu Mala | Vandana Bhardwaj | D♭ Minor | 7 | 12A | 98 BPM | ||
| Shabri Magan Hai Ram Bhajan Mein | Tripti Shakya | F Minor | 9 | 4A | 80 BPM | ||
| Tu Man Ki Ati Bhori | Chandrani Mukherjee, Ravindra Jain | D Major | 2 | 10B | 133 BPM | ||
| Mere Maan Ke Andh Tamas Mein, Pt. 2 | Jagjit Singh | C Minor | 3 | 5A | 73 BPM | ||
| Shyam Tere Kaam Bade Achraj Bhare | Ravindra Jain | D♭ Major | 9 | 3B | 116 BPM | ||
| Mai Sabse Badi Hai Tu | Riza Khan, Bali Thakre | E Major | 8 | 12B | 104 BPM | ||
| Logwaan Det - Kaahe Gaari | Sharda Sinha | D♭ Major | 5 | 3B | 90 BPM | ||
| Subah Sawere Leke Tera Naam Prabhu | Isha, Muskan, Shital, Annu, Manisha | A♭ Minor | 6 | 1A | 121 BPM | ||
| Man Tera Mandir Ankhen Diya Bati | Mahendra Kapoor, Dilraj Kaur | G Major | 6 | 9B | 99 BPM | ||
| Main Balak Tu Mata Sheranwaliye | Babla Mehta | B♭ Major | 5 | 6B | 174 BPM | ||
| Tere Naam Ka Karam Hai Yeh Sara | Babla Mehta | C Major | 7 | 8B | 127 BPM |