Salvatore Cardillo, Mario Lanza's 'Core n'grato' had a release date set for October 22, 2014. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 100 Mario Lanza, so we believe that "Core n'grato" is a single. Core n'grato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Core n'grato by Salvatore Cardillo, Mario Lanza is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Core 'ngrato | Salvatore Cardillo, Mario del Monaco, Mantovani | E♭ Major | 4 | 5B | 127 BPM | ||
| Macbeth / Act 4: Ah, la paterna mano - Remastered | Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | E♭ Major | 1 | 5B | 166 BPM | ||
| Forse non fu | Igor Krutoy, Anna Netrebko, William Ross, Session Orchestra Los Angeles | G Major | 6 | 9B | 135 BPM | ||
| Catarí, Catarí (Arr. J. Williams for Guitar) | Salvatore Cardillo, John C. Williams | C Major | 1 | 8B | 81 BPM | ||
| Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | D Major | 2 | 10B | 117 BPM | ||
| O sole mio | Eduardo di Capua, Plácido Domingo, Eugene Kohn | G Major | 4 | 9B | 66 BPM | ||
| De Curtis / Arr. Mancini: Non ti scordar di me (Live) | Ernesto de Curtis, Luciano Pavarotti, Zubin Mehta, Los Angeles Philharmonic | A Major | 3 | 11B | 82 BPM | ||
| Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | B Minor | 1 | 10A | 90 BPM | ||
| Occhi di fata | Luigi Denza, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | A Major | 3 | 11B | 85 BPM | ||
| Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Marcello, Mimì) | Giacomo Puccini, Thomas Schippers, Mario Sereni, Mirella Freni, Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 4 | 9B | 78 BPM | ||
| Tu e il tuo mare | Andrea Bellentani, Enrico Prandi, Luciano Pavarotti, Rob Mathes, Bulgarian Symphony Orchestra | F Major | 4 | 7B | 137 BPM | ||
| Gounod: Faust, Act 3: "Quel trouble inconnu me pénètre !" - Cavatine. "Salut ! Demeure chaste et pure" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
| Revaux & François / Arr Schifrin: A Tribute to Hollywood Part 1: My Way | Claude François, Jacques Revaux, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 2 | 7B | 134 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| Core N'grato | Riccardo Cordiferro, Salvatore Cardillo, Romeo Saleno | E♭ Major | 4 | 5B | 87 BPM | ||
| Santa Lucia | Theodoro Cottrau, Enrico Caruso, Bianculli, Walter B. Rogers | G Minor | 4 | 6A | 90 BPM | ||
| Mattinata | Andrea Bocelli, Orchestra del Teatro Comunale di Bologna, Leone Magiera | E Major | 5 | 12B | 78 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Georges Bizet, Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 81 BPM | ||
| Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 81 BPM | ||
| Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
| 'O sole mio | Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | A♭ Major | 5 | 4B | 85 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Ramón Vargas, SWR Symphony Orchestra, Marco Armiliato | B♭ Minor | 1 | 3A | 165 BPM | ||
| La donna è mobile | Mario del Monaco | F Major | 3 | 7B | 89 BPM |