Patton Oswalt's 'Less and Less Radical' had a release date set for August 25, 2017. Less and Less Radical is considered explicit and may contain foul language. This song is about 3 minutes and 27 seconds, which is about the average length of a typical song. There are a total of 12 in the song's album "Talking for Clapping". In this album, this song's track order is #5. Less and Less Radical is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Less and Less Radical by Patton Oswalt having a BPM of 50 with a half-time of 25 BPM and a double-time of 100 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ect | Gary Gulman | D Major | 5 | 10B | 107 BPM | ||
| Black Is the New Orange | Michael Ian Black | D Major | 7 | 10B | 127 BPM | ||
| Florida | Mo Mandel | D Major | 7 | 10B | 71 BPM | ||
| Popular Things (from Dry Bar Comedy) | Derrick Stroup | F Major | 7 | 7B | 70 BPM | ||
| Comfortable with Sir | Al Madrigal | D Minor | 9 | 7A | 77 BPM | ||
| The Highest of Highs | David Cross | A♭ Minor | 5 | 1A | 75 BPM | ||
| John Stamos and the 8 X 10 | Bob Saget | F♯ Minor | 9 | 11A | 108 BPM | ||
| Hockey Fights | Eddie Pepitone | D♭ Major | 7 | 3B | 88 BPM | ||
| Sesame Street | Paul F. Tompkins | D Major | 5 | 10B | 104 BPM | ||
| "Favorite Disney Heroines" | Bob Saget | A Minor | 9 | 8A | 106 BPM | ||
| Midget Friend | Dave Attell | D♭ Major | 7 | 3B | 78 BPM | ||
| Not Happy With A Parking Ticket I Got In Portsmouth, NH | Eugene Mirman | D♭ Major | 6 | 3B | 60 BPM | ||
| The Bar (Article 2) | Colin Quinn | D♭ Major | 4 | 3B | 87 BPM | ||
| Prevagen | Lewis Black | E Minor | 7 | 9A | 85 BPM | ||
| Birth Mark on My Ass | Geoffrey Asmus | D♭ Major | 6 | 3B | 82 BPM | ||
| The War on Los Angeles | Steve Hofstetter | F♯ Major | 4 | 2B | 92 BPM | ||
| He Paid to Be Listened To | Paul F. Tompkins | D Major | 4 | 10B | 74 BPM | ||
| Clown Pain Fun | David Cross | B♭ Minor | 5 | 3A | 117 BPM | ||
| This Asshole Walks In | Shane Torres | B♭ Major | 3 | 6B | 67 BPM | ||
| Argument for Creationism: Shit Tubes | Kurt Braunohler | F♯ Major | 5 | 2B | 145 BPM | ||
| Somebody Blew the Tin Man | Robert Kelly | F♯ Major | 7 | 2B | 79 BPM | ||
| Do You Want a Sandwich or Anything? | Norm MacDonald | A Minor | 4 | 8A | 87 BPM | ||
| Concerned White Women | Jay Pharoah | C Major | 6 | 8B | 121 BPM | ||
| In Praise Of Vincent Price | Dana Gould | F Major | 5 | 7B | 62 BPM | ||
| Ice Hassles | Doug Benson | C Minor | 6 | 5A | 89 BPM |