On August 8, 2020, the song "Kaise Aau Re Kishan" was released by Rajesh Goswami. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Non Stop Hit Krishna Bhajan 2020". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Kaise Aau Re Kishan's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kaise Aau Re Kishan by Rajesh Goswami having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Krishan Janam Sohar | Devendra Pathak | E♭ Minor | 4 | 2A | 132 BPM | ||
| Parvati Mata Aarti | Varsha Srivastava | D♭ Major | 7 | 3B | 95 BPM | ||
| Jeevan Karam | Vikrant Mathur | D♭ Major | 7 | 3B | 100 BPM | ||
| Aarti Jivdami Mata | Pramita | F♯ Major | 6 | 2B | 180 BPM | ||
| Jay Sadaguru Devan Dev Varam Vandana | Sant Shri Asharamji Bapu | B♭ Minor | 6 | 3A | 136 BPM | ||
| Koyaliya Boli Re Bina Ram Raghunandan Apno Kou Naiyan Re | Sunder Lal Vishwakarma | A Major | 6 | 11B | 76 BPM | ||
| Jyot Se Jyot Jagao Sadguru Aarti | Sant Shri Asharamji Bapu | F Minor | 4 | 4A | 138 BPM | ||
| Sun Meri Maat Meri Baat Rani Sati Dadi Bhajan - Rani Sati Dadi Bhajan | Saurabh Madhukar, Keshav Madhukar | A Minor | 4 | 8A | 101 BPM | ||
| Hari ne Bhajta | NARAYANSWAMI | F Minor | 7 | 4A | 131 BPM | ||
| Sewa Sewa Parsapen | Venkat Rao | A♭ Minor | 9 | 1A | 180 BPM | ||
| Aarti Shri Banke Bihari | Acharya Mridul Krishan Shastri | F♯ Minor | 4 | 11A | 90 BPM | ||
| Om Jai Chandraprabhu Deva | Vandana Bhardwaj | F♯ Minor | 8 | 11A | 94 BPM | ||
| Nakoda Bhairav Chalisa Superfast | Rahul Pathak, Pramod Singh, Ravi Khanna | D♭ Major | 7 | 3B | 100 BPM | ||
| Om Jai Shiv Omkara, Prabhu Har Shiv Omkara | Shyam Saajan | A♭ Major | 7 | 4B | 90 BPM | ||
| Akhand Ram Dhun | Isha Sharma | F♯ Major | 7 | 2B | 101 BPM | ||
| Jumdev Jumdev | Satish | A Major | 8 | 11B | 104 BPM | ||
| jay baldhari bahuchar maa | Hari cassettes | D♭ Major | 4 | 3B | 132 BPM | ||
| Bhukhe Bhagati Na Keeje | Hita Ambrish | A Minor | 8 | 8A | 84 BPM | ||
| Runiche Wala Raja Khamma Ghani | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Sab Se Sundar Naam Thakur Ji | Kailash Khare | A Minor | 6 | 8A | 96 BPM | ||
| Bajrangbali Meri Naav Chali | Rajkumar Vinayak | F Minor | 7 | 4A | 84 BPM | ||
| संकर सुवन केसरीनंदन। | Rekha Rao, Ritesh Mishra | A Major | 8 | 11B | 126 BPM | ||
| Jai Ho Teri Banke Bihari | Surya Prakash Dubey | D Minor | 8 | 7A | 130 BPM | ||
| Jadu Bhari Teri Aankhe | Rajesh Goswami | F♯ Minor | 7 | 11A | 142 BPM | ||
| Vishnu Ji Ka Bhajan | Avinash Karn | B♭ Minor | 9 | 3A | 170 BPM |