"H.M.S. Pinafore, Act I: Recitative. Sir, You Are Sad!" by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen, Felicity Palmer had its release date on October 25, 1994. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, Welsh National Opera Chorus, Welsh National Opera Orchestra, Sir Charles Mackerras, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan's "Gilbert & Sullivan: H.M.S. Pinafore" album is number 8 out of 27. On top of that, United States appears to be the country where this track was created. In terms of popularity, H.M.S. Pinafore, Act I: Recitative. Sir, You Are Sad! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of H.M.S. Pinafore, Act I: Recitative. Sir, You Are Sad! by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen, Felicity Palmer to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Make Our Garden Grow | Jason Danieley, Harolyn Blackwell, Candide Ensemble (1997) | E Major | 3 | 12B | 83 BPM | ||
| Go To Hell World! | Sarah Dacey, Belinda Jones | F Minor | 0 | 4A | 66 BPM | ||
| Cavalleria rusticana - The Green Meadows Are Fragrant with Oranges | Pietro Mascagni, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B Major | 2 | 1B | 63 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| A High, Holy Calling God's Given | Hidden Treasures Music, Ståle Risnes, Mary-Lee Jacquier | D Minor | 1 | 7A | 93 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| The Yeomen of the Guard / Act 2: "Night has spread her pall once more" | Arthur Sullivan, Academy of St Martin in the Fields Chorus, Anne Collins, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 80 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Turandot / Act 1: Signore, ascolta | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | F♯ Major | 1 | 2B | 81 BPM | ||
| Broken Souls | wangyaolong | D Minor | 1 | 7A | 93 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle, Lawrence Brownlee, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Puccini: Madama Butterfly, Act 1: "E soffitto… e pareti" (Pinkerton, Goro) | Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 131 BPM | ||
| L'elisir d'amore / Act I: Come Paride vezzoso | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
| Orphée et Eurydice, Wq. 30, Act III: Che faro senza Euridice? | Christoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner, Dietrich Fischer-Dieskau | D Minor | 1 | 7A | 93 BPM | ||
| Trumpet Voluntary | Jeremiah Clarke, Robert Ferriman, BBC Concert Orchestra, Barry Wordsworth | D Major | 2 | 10B | 123 BPM | ||
| 9. Comes a train of little ladies | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 2 | 9B | 163 BPM | ||
| Careless With the Truth | Debbie Gravitte | B♭ Major | 1 | 6B | 105 BPM | ||
| Bellini: I puritani: "Ad Arturo onore" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
| 3. Oh, better far to live and die | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | C Major | 2 | 8B | 97 BPM | ||
| Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | ||
| Carmen, Act I: Scene & Chorus. Sur la place chacun passe | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM | ||
| H.M.S. Pinafore, Act I: I'm Called Little Buttercup | Gilbert & Sullivan Society of Houston | C Major | 2 | 8B | 93 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |