Patti Austin's 'S.O.S.' had a release date set for August 18, 1980. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Body Language by Patti Austin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, S.O.S.'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of S.O.S. by Patti Austin is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Miss You (Ultimate Re-Record) | Klymaxx, Joyce Irby | F Major | 4 | 7B | 136 BPM | ||
| Someone Is Standing Outside | Patti Austin | F Major | 3 | 7B | 130 BPM | ||
| Better Days | Dianne Reeves | A♭ Major | 4 | 4B | 148 BPM | ||
| Follow Your Road | Seawind | F♯ Major | 3 | 2B | 132 BPM | ||
| Whatever We Imagine | James Ingram | G Major | 5 | 9B | 103 BPM | ||
| A Penny for Your Thoughts | Tavares | C Major | 4 | 8B | 138 BPM | ||
| I Don't Want You to Go | LANI HALL | B Major | 3 | 1B | 177 BPM | ||
| Never Let You Go | Joe McBride | B♭ Minor | 6 | 3A | 83 BPM | ||
| I'll Still Be Lovin' You | Fourplay | E Major | 4 | 12B | 94 BPM | ||
| The Lady Wants to Know | Michael Franks | D Major | 4 | 10B | 99 BPM | ||
| Take It To The Limit | Ray, Goodman & Brown | F Minor | 4 | 4A | 99 BPM | ||
| With Me Now | Christopher Cross | A Major | 5 | 11B | 148 BPM | ||
| Melancholy Fire | Norman Connors | F Major | 6 | 7B | 143 BPM | ||
| Love Saw It | Karyn White | F♯ Minor | 4 | 11A | 93 BPM | ||
| Thank You My Love | Imagination | D♭ Minor | 4 | 12A | 122 BPM | ||
| A Woman Needs Love (Just Like You Do) | Ray Parker Jr., Raydio | F♯ Minor | 4 | 11A | 91 BPM | ||
| Say You Love Me | Patti Austin | C Major | 5 | 8B | 147 BPM | ||
| Tell Me Where It Hurts | Kathy Troccoli | G Major | 6 | 9B | 91 BPM | ||
| The Girl Who Used To Be Me - Bonus Track | Patti Austin | G Major | 4 | 9B | 74 BPM | ||
| Wait For Me | Patti Austin | D Major | 6 | 10B | 96 BPM | ||
| After The Love Has Gone | David Benoit, Russ Freeman | F♯ Major | 5 | 2B | 130 BPM | ||
| Me - You = Blue | Glenn Medeiros | B♭ Major | 5 | 6B | 75 BPM | ||
| For You, For Love | Average White Band | B♭ Major | 6 | 6B | 141 BPM | ||
| U Turn | Joe Sample | E Minor | 7 | 9A | 97 BPM | ||
| Livin' It Up | Bill LaBounty | F Minor | 4 | 4A | 84 BPM |