"Die Dreigroschenoper: Grabschrift" by Kurt Weill, Rolf Boysen, René Kollo, Rias-Sinfonietta Berlin, John Mauceri had its release date on January 1, 1988. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill: The Threepenny Opera by Kurt Weill, René Kollo, Mario Adorf, Helga Dernesch, Ute Lemper, Milva, Wolfgang Reichmann, Susanne Tremper, Rolf Boysen, Rias-Sinfonietta Berlin, John Mauceri. The song's track number on the album is #25 out of 27 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Die Dreigroschenoper: Grabschrift is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Dreigroschenoper: Grabschrift by Kurt Weill, Rolf Boysen, René Kollo, Rias-Sinfonietta Berlin, John Mauceri has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Grabschrift being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Radamisto, HWV 12: Ombra cara - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | D Minor | 1 | 7A | 71 BPM | ||
| Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | ||
| L’opéra de quat'sous, Act II: Duo de la jalousie | Kurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron, Marie Oppert | E Major | 3 | 12B | 115 BPM | ||
| 3 Film Scores for String Orchestra: No. 3, Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 168 BPM | ||
| Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM | ||
| I Want Yer, Ma Honey | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | ||
| Alcina, HWV 34, Act 2 Scene 5: Ah! Mio cor (Arr. for Countertenor & String Quartet by Eric Mouret) | George Frideric Handel, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
| The Eternal Road, Act III, the Kings, Scene 24 (cont.): Ruth and Boaz | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Chor Berlin, Berlin Radio Children's Choir, Rundfunk-Sinfonieorchester Ber | F Major | 2 | 7B | 127 BPM | ||
| Notre Dame: Intermezzo | Franz Schmidt, Frankfurt Radio Symphony Orchestra, Paavo Järvi | D♭ Major | 2 | 3B | 112 BPM | ||
| Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 82 BPM | ||
| Die Dreigroschenoper: Akt III, Salomon Song ("Ihr saht den weisen Salomo") | Kurt Weill, Lotte Lenya, Wilhelm Brückner-Rüggeberg | F Major | 0 | 7B | 112 BPM | ||
| Speak Low - One Touch of Venus | Stephen Sondheim, Kurt Weill, Ogden Nash, Ina Kancheva, Ludmil Angelov | E♭ Major | 1 | 5B | 123 BPM | ||
| Bleak Horizons | Orithia | E Minor | 1 | 9A | 111 BPM | ||
| The Seasons, Op. 67: IV. Winter: Variation 4, Snow | Alexander Glazunov, Alexander Anissimov, Moscow Symphony Orchestra | F Minor | 1 | 4A | 164 BPM | ||
| Die Dreigroschenoper, Act II: Komm heraus, du Schönheit von Soho | Kurt Weill, Walter Raffeiner, Peter Nikolaus Kante, Jane Henschel, Ulrike Steinsky, Gabriele Ramm, Rolf Wollard, Jolanta Teresa Kuznik, Reinhard Firchow, Cologne Handel Collegium, Konig Ensemble, Jan Latham-Koenig | A Minor | 1 | 8A | 103 BPM | ||
| Zuiderzee-ballade | The Royal Wind Music | D♭ Major | 2 | 3B | 133 BPM | ||
| The Salley Gardens | Benjamin Britten, Karla Haltenwanger, Andrè Schuen | B♭ Major | 1 | 6B | 74 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Happy End, Act I: Bilbao Song (Arr. for Voice, Piano, Banjo, Bass, Drums, Accordion and Strings by R. Mounsey) | Kurt Weill, Zachary Wilder, Rob Mounsey, Matt Beck, David Finck, Mark McLean, Rob Curto | A Minor | 1 | 8A | 103 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Mahagonny Songspiel: III. No. 2, Alabama Song "Oh Show Us the Way to the Next Whisky-Bar" | Kurt Weill, Mary Thomas, Meriel Dickinson, London Sinfonietta, David Atherton | G Major | 2 | 9B | 144 BPM | ||
| Banalités, FP 107: II. Hôtel | Francis Poulenc, Claire Booth, Jâms Coleman | A Minor | 1 | 8A | 103 BPM |