Sau Ranjana Jogalekar's ' "Baila Majhya Naad Panyacha" was released on its scheduled release date, February 4, 1987. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Maharashtrachi Lokdhara, Vol. 1" album is number 9 out of 13. Baila Majhya Naad Panyacha is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Baila Majhya Naad Panyacha by Sau Ranjana Jogalekar to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vadivarlya Vata | Ravindra, Chandrakant Kale | D Minor | 8 | 7A | 184 BPM | ||
| Jag Duniya Visarun Jato | Sahil Maske | C Major | 8 | 8B | 130 BPM | ||
| Kiranancha Bandhuni Chal | Anuradha Paudwal, Achyut Thakur | F♯ Major | 6 | 2B | 90 BPM | ||
| Daryache Barobari | Santosh Nayak, Shaila Chikhale | E♭ Major | 5 | 5B | 80 BPM | ||
| Chatrapatichya Shur Mardano | Anand Shinde | E♭ Minor | 7 | 2A | 76 BPM | ||
| Banu Tuna Wadama Mehndi Kokru | Ganesh Gujar | E♭ Minor | 6 | 2A | 85 BPM | ||
| Nirop Gheto Aata | Jaywant Kulkarni, Mallesh | B♭ Minor | 7 | 3A | 80 BPM | ||
| Bhavesh Pawar Martay Fifty | Prakash Choughule, Sapna Patil | D♭ Major | 9 | 3B | 115 BPM | ||
| Kalubai Tujha Sonyacha Jhuba | Chhagan choughule | D♭ Major | 8 | 3B | 106 BPM | ||
| Vani Gadale Bangala Bandha 1 | Kalyani Chaudhari | B♭ Major | 10 | 6B | 174 BPM | ||
| Roop Tujh Lai Chhan Ga | Mahendra Kapoor, Shaila Chikhale | G Minor | 8 | 6A | 117 BPM | ||
| Raja Tejukayacha Maan Pahila | Sanjay Sawant | G Minor | 9 | 6A | 113 BPM | ||
| Aadhi Ganala | Ajay-Atul, Ramanand Ugale | F♯ Major | 7 | 2B | 120 BPM | ||
| Mandharchi Kalubai | Akash Shinde, Mohan Kusumbe | F♯ Major | 10 | 2B | 145 BPM | ||
| Keshava Majala Tujhya | Adarsh Shinde, Amol Bawdekar | A Major | 3 | 11B | 123 BPM | ||
| Liboniche Libu | Uttara Kelkar | A♭ Major | 7 | 4B | 84 BPM | ||
| Dar Dar Bhatakala Nathanchya Gharat Atakala | Akash Shinde | A Major | 8 | 11B | 140 BPM | ||
| Dang Maa Chalay Pori | Anil Kuwar, Vinod Kumavat, Kaveri Patil | D♭ Major | 9 | 3B | 172 BPM | ||
| Radato Parshuram Palna Tumhi Halva | Balu Shinde | A♭ Minor | 5 | 1A | 119 BPM | ||
| Ved Jiva Lavito Pava | Suryakant Shinde | A♭ Minor | 9 | 1A | 153 BPM | ||
| Bharud - Akkal Yeu De | Abhanga Repost, Amruta Khanvilkar | D♭ Major | 5 | 3B | 60 BPM | ||
| Hich Kay Go, Pt. 2 | Santosh Nayak, Vina Bamne | A♭ Major | 5 | 4B | 96 BPM | ||
| Manasa Paris Mendhara Bari | Jaywant Kulkarni | F♯ Minor | 8 | 11A | 93 BPM | ||
| Yedamai Nighali Panyala G | Chandan Kamble | D♭ Major | 10 | 3B | 107 BPM | ||
| Majha Kombara Koni Mariyela | Shahir Pandurang Agawane, Chorus | B♭ Major | 5 | 6B | 76 BPM |