Max Steiner's 'Homecoming - End Titles' had a release date set for May 4, 2012. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Homecoming - End Titles's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 32 in Classic Soundtracks: A Summer Place (1959 Film Score) by Max Steiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Bulgaria. The popularity of Homecoming - End Titles is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Homecoming - End Titles by Max Steiner is Presto (very, very fast), since this song has a tempo of 191 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arte Profundo | Sirenas Celestiales | D Major | 2 | 10B | 85 BPM | ||
| Imaginando Paraiso | Sirenas Celestiales | C Major | 3 | 8B | 146 BPM | ||
| King Kong (reconstructed J. Morgan): Meeting with the Black Men (punia! casco!!) | Max Steiner, John Morgan, Moscow Symphony Orchestra, William Stromberg | D Minor | 0 | 7A | 83 BPM | ||
| Love in the Afternoon - From 'Love in the Afternoon / Ariane' | Franz Waxman, Matty Malneck | B♭ Minor | 0 | 3A | 34 BPM | ||
| Tchaikovsky's Piano Concerto No 1 | Liberace | D♭ Major | 2 | 3B | 90 BPM | ||
| King Kong (reconstructed J. Morgan): Entrance of Kong - The Sailors - Stegosaurus | Max Steiner, John Morgan, Moscow Symphony Orchestra, William Stromberg | C Major | 2 | 8B | 79 BPM | ||
| Long Ago and Far Away | The Mantovani Orchestra | F Major | 3 | 7B | 81 BPM | ||
| Belle of the Ball | The Mantovani Orchestra | A Major | 4 | 11B | 102 BPM | ||
| Cutthroat Island (It’s Only Gold & End Credits) | City Light Symphony Orchestra | F Major | 2 | 7B | 83 BPM | ||
| Sempre Per Te | Michael Bennett | F Major | 2 | 7B | 83 BPM | ||
| The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | ||
| Lake Starnberg | Pino Donaggio | D Major | 1 | 10B | 139 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| A Needle in a Haystack (From "The Gay Divorcee") | Fred Astaire, Max Steiner | A♭ Major | 4 | 4B | 146 BPM | ||
| Tema di Jane | Claudio Capponi, Alessio Vlad | D Major | 2 | 10B | 82 BPM | ||
| Suite - From The Caine Mutiny 1954 | Max Steiner | A Major | 6 | 11B | 125 BPM | ||
| Not Goin' Home Anymore - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 1 | 5B | 97 BPM | ||
| Jane e Rochester | Claudio Capponi, Alessio Vlad | G Major | 1 | 9B | 68 BPM | ||
| Scarlett In Shantytown | Max Steiner | D Minor | 4 | 7A | 152 BPM | ||
| Read Me To Sleep | Academy of St. Martin in the Fields, Gabriel Yared | B Minor | 0 | 10A | 89 BPM | ||
| L'America di Jill | Solisti e Orchestre del Cinema Italiano | F Major | 1 | 7B | 68 BPM | ||
| Funeral / Exit | Mario Nascimbene, Mario Nascimbene Studio Orchestra | F Major | 2 | 7B | 69 BPM | ||
| Mel And Tanya | Alfred Newman | F♯ Minor | 1 | 11A | 93 BPM | ||
| The World Of The Heart - Main Title - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 122 BPM | ||
| Lara's Theme (From "Doctor Zhivago") | Maurice Jarre, André Rieu, Johann Strauss Orchestra | C Major | 4 | 8B | 107 BPM |