Ricky Ford's ' "Ode to Crispus Attucks" was released on its scheduled release date, January 1, 1989. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in Ricky Ford's "Manhattan Blues" album is number 3 out of 9. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Ode to Crispus Attucks is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ode to Crispus Attucks by Ricky Ford to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theatre Largo Isolani | walkin around jazz | E♭ Major | 2 | 5B | 77 BPM | ||
| Solace | Luna Devera | B♭ Minor | 1 | 3A | 63 BPM | ||
| Cool Essence | Silas Dune | F Minor | 4 | 4A | 169 BPM | ||
| Highlight | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| Big P | Jimmy Heath | D Minor | 4 | 7A | 94 BPM | ||
| Fallen Thrones | Luna Devera | C Major | 2 | 8B | 112 BPM | ||
| Espresso 5AM | Seaside Groove | G Major | 5 | 9B | 89 BPM | ||
| Almost Vinyl | Sky Bar Session | E Major | 5 | 12B | 140 BPM | ||
| Till There Was You | Super-Trio | F Major | 4 | 7B | 107 BPM | ||
| Veranda con Ombre | Monochrome Silence | F Major | 2 | 7B | 84 BPM | ||
| Playhouse March | Ted Curson, Ricky Ford, Sarah Morrow, Tom McClung, Peter Giron, Doug Sides | A♭ Major | 5 | 4B | 133 BPM | ||
| Broadway | Ben Riley, Jaki Byard, Milt Hinton, Ricky Ford | F Minor | 4 | 4A | 100 BPM | ||
| Piazza sul Ponte | walkin around jazz | F Major | 2 | 7B | 81 BPM | ||
| Uplands File | Petit Bleu | B♭ Major | 4 | 6B | 120 BPM | ||
| The Silver Jazz | Sax Lounge | C Major | 5 | 8B | 172 BPM | ||
| Presshouse Gimbal | Bang! Jazz Club | G Minor | 4 | 6A | 122 BPM | ||
| Reincarnation Of A Lovebird | Ricky Ford, Mingus Dynasty, Jimmy Knepper, Kenny Washington, Roland Hanna, Reggie Johnson | F♯ Minor | 2 | 11A | 81 BPM | ||
| Only Us | New RiSEN | G Major | 5 | 9B | 150 BPM | ||
| Trumpet Avenue | Horn Society | E♭ Major | 3 | 5B | 77 BPM | ||
| Bluesology | The Monty Alexander Trio | B♭ Minor | 5 | 3A | 96 BPM | ||
| Cop Out | Ricky Ford | D♭ Major | 5 | 3B | 86 BPM | ||
| The Love That Remains | Elian Tumbao | G Minor | 5 | 6A | 129 BPM | ||
| Cool Jazz Guitar | Sheyza | F Minor | 5 | 4A | 100 BPM | ||
| Ecclusiastics | Ricky Ford, Mingus Dynasty, Jimmy Knepper, Kenny Washington, Roland Hanna, Reggie Johnson | B♭ Major | 1 | 6B | 113 BPM | ||
| So This Is Love | New RiSEN | A♭ Major | 4 | 4B | 136 BPM |