"Liadan Laments" by Gabriel Jackson, Alison Smart, Katharine Durran had its release date on September 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "Peripheral Visions". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Liadan Laments is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liadan Laments by Gabriel Jackson, Alison Smart, Katharine Durran having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psalm 130: 'Out of the deep have I called unto Thee, O Lord' (after Purcell) | James Turle, The Choir Of Westminster Abbey, Martin Neary | F Major | 0 | 7B | 83 BPM | ||
| Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | ||
| Missa Christi, Festival Mass: III. Sanctus and Benedictus | Kenneth Leighton, The Choir of The Queen's College Oxford, Owen Rees, Ben Gilchrist, Rudyard Cook | E♭ Major | 3 | 5B | 125 BPM | ||
| Carrying Celadus / Honor His Memory | Joseph Loduca | E♭ Major | 3 | 5B | 125 BPM | ||
| Having Beheld a Strange Nativity | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| Edinburgh Mass: Kyrie | Gabriel Jackson, Choir of St Mary's Cathedral, Edinburgh, Matthew Owens | G Major | 1 | 9B | 82 BPM | ||
| Tallis: Verily, Verily I Say Unto You | The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 91 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| The Crystal Sea of Mercy SHZ 196 | Laestadian Lutheran Church, Liisa Keranen | B♭ Minor | 1 | 3A | 169 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VIII. Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 87 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM | ||
| In monte oliveti | Orlande de Lassus, Stile Antico | C Minor | 0 | 5A | 138 BPM | ||
| Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 68 BPM | ||
| Not no Faceless Angel | Phoenix Chamber Choir, Gabriel Jackson, Eric Wilson, Paul Hung, Graeme Langager | D Major | 1 | 10B | 132 BPM | ||
| Repentance of the Prodigal Son | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| Deliverance | Darius Lim, Nicole Lee, Baek Jongwoo, Voices of Singapore Ladies Choir, Voices of Singapore Men’s Choir, Sharon Ham, Richard Ter, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| Creator of the Stars of Night | Gabriel Jackson, Elizabeth Limb, Martin Ford, Vasari Singers, Jeremy Backhouse | E♭ Major | 1 | 5B | 128 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Encircled | Will Todd, Tenebrae, Nigel Short | A Major | 0 | 11B | 72 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| 3 Latin Motets, Op. 38: III. Beati quorum via | Charles Villiers Stanford, The Choir Of Trinity College, Cambridge, Stephen Layton | A♭ Major | 1 | 4B | 83 BPM |