Mark Chesnutt's ' "I'm Not Getting Any Better At Goodbyes" was released on its scheduled release date, January 1, 1992. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mark Chesnutt's "Longnecks & Short Stories" album is number 9 out of 10. In terms of popularity, I'm Not Getting Any Better At Goodbyes is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of I'm Not Getting Any Better At Goodbyes by Mark Chesnutt to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keep It Between The Lines | Ricky Van Shelton | F Major | 2 | 7B | 90 BPM | ||
| I Don't Think She's in Love Anymore | Charley Pride | F Major | 6 | 7B | 127 BPM | ||
| The Church On Cumberland Road | Shenandoah | B♭ Major | 8 | 6B | 150 BPM | ||
| Forever And A Day | Gary Allan | E Major | 9 | 12B | 119 BPM | ||
| Let Go | Brother Phelps | G Major | 6 | 9B | 144 BPM | ||
| Someday Soon | Moe Bandy | B♭ Major | 4 | 6B | 124 BPM | ||
| The Note | Daryle Singletary | B♭ Major | 6 | 6B | 169 BPM | ||
| Hey You There In The Mirror | Mark Chesnutt | D Major | 5 | 10B | 152 BPM | ||
| Make Memories With Me | Lee Ann Womack, Mark Chesnutt | D♭ Major | 6 | 3B | 91 BPM | ||
| Too Good A Memory | Mark Chesnutt | D Major | 6 | 10B | 188 BPM | ||
| She Took It Like a Man - Remastered Version | Confederate Railroad | G Major | 6 | 9B | 124 BPM | ||
| She Never Cried - Remastered Version | Confederate Railroad | D Major | 6 | 10B | 121 BPM | ||
| The New Never Wore Off My Sweet Baby | Dean Dillon | B Major | 4 | 1B | 138 BPM | ||
| A Jukebox With a Country Song | Doug Stone | D Major | 7 | 10B | 112 BPM | ||
| When You Love Her Like Crazy | Mark Chesnutt | E Major | 5 | 12B | 90 BPM | ||
| Sure Love | Hal Ketchum | C Major | 6 | 8B | 126 BPM | ||
| My Blue Angel | Aaron Tippin | F Major | 5 | 7B | 110 BPM | ||
| Another You | David Kersh | A Major | 4 | 11B | 76 BPM | ||
| If We Can't Have Forever (Let's Take Tonight) | John Schneider | A Major | 2 | 11B | 90 BPM | ||
| My Next Broken Heart | Brooks & Dunn | G Major | 8 | 9B | 140 BPM | ||
| I Let Her Lie | Daryle Singletary | E Major | 5 | 12B | 96 BPM | ||
| Daddy Never Was the Cadillac Kind | Confederate Railroad | E Major | 5 | 12B | 77 BPM | ||
| Till I Found You | Marty Stuart | E Major | 3 | 12B | 122 BPM | ||
| If Looks Could Kill | Rodney Crowell | B♭ Major | 5 | 6B | 133 BPM | ||
| The Tin Man | Kenny Chesney | E Major | 2 | 12B | 147 BPM |